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Environmental Lawyer, King's Counsel and Artist Stephen Tromans Discussing his Golgotha Series on the Russian Invasion of Ukraine, His Practices of Law and Art, and Art's Role In Addressing Injustice
Manage episode 365128643 series 2822132
Cover image by Stephen Tromans: Climate Innocence, 1957, oil on board, 20x24 inches
To view Stephen Tromans' work, please visit Mr. Tromans' website and Instagram as well as Ely Cathedral's feature of his Golgotha series, the Cambridge Drawing Society's discussion of his work and the Gallery Holt.
Show Notes:
1:30 Troman’s choice to go into law, specifically environmental law
2:45 Lord Denning
3:30 Troman’s work as a painter
4:30 Diploma in oil painting
5:00 Influenced by Turner, Caravaggio, Goya
5:30 Scotland’s Joan Eardley
5:40 Royal Academician Fred Cuming
6:30 mixed media and collage
6:50 Hong Kong urbanscapes
9:20 Golgotha series
12:00 Ely Cathedral
15:00 feedback from Golgotha series
15:45 Ukrainian children and their toys as a focus in Golgotha series
18:00 future cathedral venues for Golgotha series
18:45 current work
20:20 environmentally-related art
22:00 Climate Innocence, 1957 - acceptance of pollution
23:00 Troman’s process
24:00 art’s function to speak to social issues
26:00 compliments between legal and creative work
28:50 legacy
31:30 definition of justice
34:15 how Troman’s artwork speaks to justice
35:15 the power of Picasso’s Guernica
Please share your comments and/or questions at stephanie@warfareofartandlaw.com
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.
Thanks so much for listening!
© Stephanie Drawdy [2024]
138 afleveringen
Manage episode 365128643 series 2822132
Cover image by Stephen Tromans: Climate Innocence, 1957, oil on board, 20x24 inches
To view Stephen Tromans' work, please visit Mr. Tromans' website and Instagram as well as Ely Cathedral's feature of his Golgotha series, the Cambridge Drawing Society's discussion of his work and the Gallery Holt.
Show Notes:
1:30 Troman’s choice to go into law, specifically environmental law
2:45 Lord Denning
3:30 Troman’s work as a painter
4:30 Diploma in oil painting
5:00 Influenced by Turner, Caravaggio, Goya
5:30 Scotland’s Joan Eardley
5:40 Royal Academician Fred Cuming
6:30 mixed media and collage
6:50 Hong Kong urbanscapes
9:20 Golgotha series
12:00 Ely Cathedral
15:00 feedback from Golgotha series
15:45 Ukrainian children and their toys as a focus in Golgotha series
18:00 future cathedral venues for Golgotha series
18:45 current work
20:20 environmentally-related art
22:00 Climate Innocence, 1957 - acceptance of pollution
23:00 Troman’s process
24:00 art’s function to speak to social issues
26:00 compliments between legal and creative work
28:50 legacy
31:30 definition of justice
34:15 how Troman’s artwork speaks to justice
35:15 the power of Picasso’s Guernica
Please share your comments and/or questions at stephanie@warfareofartandlaw.com
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.
Thanks so much for listening!
© Stephanie Drawdy [2024]
138 afleveringen
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