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Inhoud geleverd door No Film School. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door No Film School of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.
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Crafting Tension: ‘Spermworld’ & ‘How To Blow Up a Pipeline’ Editor Explains

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Manage episode 435813489 series 118896
Inhoud geleverd door No Film School. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door No Film School of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

As an editor, should you specialize in documentary film or narrative film? Who says you can’t do both? Editor Daniel Garber proves it’s possible, sharing his unique approach to editing some of his most recent projects. He dives into the nuances of pacing, note-taking, and the art of knowing when not to cut.

In today’s episode, No Film School’s GG Hawkins speaks with editor Daniel Garber to discuss:

  • Getting his first editing credit and learning from other established editors
  • Working with director Lance Oppenheim on multiple films
  • Keeping your expenses low as a filmmaker
  • How tension emerges from the performances and the pacing of the edit
  • Differences between doc and fiction
  • The unexpected moments that happen after a scene has wrapped
  • A very efficient note-taking process
  • Working on small indie films compared to large productions
  • The power of face-to-face interactions

Memorable Quotes

  • “I go back and forth between documentary and fiction. I get a lot out of that.” [15:05]
  • With most documentaries, you have way more footage. You’re preparing yourself for a marathon rather than a sprint.” [17:28]
  • “Making a decision not to cut is a huge part of editing.” [21:30]
  • “The social aspect of editing is the most rewarding part.” [35:42]

Links:

Check out Daniel's website

Follow Daniel on IG

Daniel Garber on IMDb

Find No Film School everywhere:

On the Web

https://nofilmschool.com/

Facebook

https://www.facebook.com/nofilmschool

Twitter

https://twitter.com/nofilmschool

YouTube

https://www.youtube.com/user/nofilmschool

Instagram

https://www.instagram.com/nofilmschool

Send us an email with questions or feedback: podcast@nofilmschool.com!

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

803 afleveringen

Artwork
iconDelen
 
Manage episode 435813489 series 118896
Inhoud geleverd door No Film School. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door No Film School of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

As an editor, should you specialize in documentary film or narrative film? Who says you can’t do both? Editor Daniel Garber proves it’s possible, sharing his unique approach to editing some of his most recent projects. He dives into the nuances of pacing, note-taking, and the art of knowing when not to cut.

In today’s episode, No Film School’s GG Hawkins speaks with editor Daniel Garber to discuss:

  • Getting his first editing credit and learning from other established editors
  • Working with director Lance Oppenheim on multiple films
  • Keeping your expenses low as a filmmaker
  • How tension emerges from the performances and the pacing of the edit
  • Differences between doc and fiction
  • The unexpected moments that happen after a scene has wrapped
  • A very efficient note-taking process
  • Working on small indie films compared to large productions
  • The power of face-to-face interactions

Memorable Quotes

  • “I go back and forth between documentary and fiction. I get a lot out of that.” [15:05]
  • With most documentaries, you have way more footage. You’re preparing yourself for a marathon rather than a sprint.” [17:28]
  • “Making a decision not to cut is a huge part of editing.” [21:30]
  • “The social aspect of editing is the most rewarding part.” [35:42]

Links:

Check out Daniel's website

Follow Daniel on IG

Daniel Garber on IMDb

Find No Film School everywhere:

On the Web

https://nofilmschool.com/

Facebook

https://www.facebook.com/nofilmschool

Twitter

https://twitter.com/nofilmschool

YouTube

https://www.youtube.com/user/nofilmschool

Instagram

https://www.instagram.com/nofilmschool

Send us an email with questions or feedback: podcast@nofilmschool.com!

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

803 afleveringen

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