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How Colson Whitehead Writes About Our ‘Big Wild Country’

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Inhoud geleverd door New York Times Opinion. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door New York Times Opinion of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

“If he got a thrill out of transforming these ill-gotten goods into legit merchandise, a zap-charge in his blood like he’d plugged into a socket, he was in control of it and not the other way around,” writes Colson Whitehead in his new novel, “Harlem Shuffle.” “Dizzying and powerful as it was. Everyone had secret corners and alleys that no one else saw — what mattered were your major streets and boulevards, the stuff that showed up on other people’s maps of you.”

Whitehead is the author of “The Underground Railroad,” which won the Pulitzer Prize and the National Book Award, and “The Nickel Boys,” which also won a Pulitzer, the first time two consecutive books by an author won. But he actually started “Harlem Shuffle” in between those two books. And now that he’s finished it, he can’t quite put it down. He’s working on a sequel, he told me. The first time he’s tried one.

“Harlem Shuffle” is both a joyous and a troubled book. It’s built around Ray Carney, a furniture salesman and fence for stolen goods, and a series of capers around 1960s-era Harlem. But at its core it’s about patrimony, capitalism, ambition, race and the moral costs of striving in an unjust system.

We talk about all that, and more: how Marvel Comics made Whitehead want to be a writer, how parenthood changed him, why he hopes to distill it all down to a haiku, whether the writing world is a just or unjust system, the nature of zombies, the nonfiction of the late-Aughts internet, the legacy of 9/11, his favorite heist movies, what his wife thinks his characters know that he doesn’t — and I could keep going.

This one’s a fun one.

Mentioned:

"Wow, Fiction Works!" by Colson Whitehead

Harlem Shuffle by Colson Whitehead

The Underground Railroad by Colson Whitehead

The Nickel Boys by Colson Whitehead

Zone One by Colson Whitehead

Sag Harbor by Colson Whitehead

The Noble Hustle by Colson Whitehead

Book recommendations:

Love Goes to Buildings on Fire by Will Hermes

The Buddha in the Attic by Julie Otsuka

When the Emperor Was Divine by Julie Otsuka

Mad As Hell by Dave Itzkoff

You can find transcripts (posted midday) and more episodes of "The Ezra Klein Show" at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris; original music by Isaac Jones; mixing by Jeff Geld, audience strategy by Shannon Busta. Special thanks to Kristin Lin.

  continue reading

311 afleveringen

Artwork
iconDelen
 
Manage episode 302247466 series 2858887
Inhoud geleverd door New York Times Opinion. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door New York Times Opinion of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

“If he got a thrill out of transforming these ill-gotten goods into legit merchandise, a zap-charge in his blood like he’d plugged into a socket, he was in control of it and not the other way around,” writes Colson Whitehead in his new novel, “Harlem Shuffle.” “Dizzying and powerful as it was. Everyone had secret corners and alleys that no one else saw — what mattered were your major streets and boulevards, the stuff that showed up on other people’s maps of you.”

Whitehead is the author of “The Underground Railroad,” which won the Pulitzer Prize and the National Book Award, and “The Nickel Boys,” which also won a Pulitzer, the first time two consecutive books by an author won. But he actually started “Harlem Shuffle” in between those two books. And now that he’s finished it, he can’t quite put it down. He’s working on a sequel, he told me. The first time he’s tried one.

“Harlem Shuffle” is both a joyous and a troubled book. It’s built around Ray Carney, a furniture salesman and fence for stolen goods, and a series of capers around 1960s-era Harlem. But at its core it’s about patrimony, capitalism, ambition, race and the moral costs of striving in an unjust system.

We talk about all that, and more: how Marvel Comics made Whitehead want to be a writer, how parenthood changed him, why he hopes to distill it all down to a haiku, whether the writing world is a just or unjust system, the nature of zombies, the nonfiction of the late-Aughts internet, the legacy of 9/11, his favorite heist movies, what his wife thinks his characters know that he doesn’t — and I could keep going.

This one’s a fun one.

Mentioned:

"Wow, Fiction Works!" by Colson Whitehead

Harlem Shuffle by Colson Whitehead

The Underground Railroad by Colson Whitehead

The Nickel Boys by Colson Whitehead

Zone One by Colson Whitehead

Sag Harbor by Colson Whitehead

The Noble Hustle by Colson Whitehead

Book recommendations:

Love Goes to Buildings on Fire by Will Hermes

The Buddha in the Attic by Julie Otsuka

When the Emperor Was Divine by Julie Otsuka

Mad As Hell by Dave Itzkoff

You can find transcripts (posted midday) and more episodes of "The Ezra Klein Show" at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris; original music by Isaac Jones; mixing by Jeff Geld, audience strategy by Shannon Busta. Special thanks to Kristin Lin.

  continue reading

311 afleveringen

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