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The Edinburgh Fringe Archive – Shedload Theatre (The Statement of Randolph Carter, 2015)

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Manage episode 346377444 series 3305451
Inhoud geleverd door The Podcast Corner. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door The Podcast Corner of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

The world of H P Lovecraft is one that many people have explored, both the horror of the writing and the horror of the man. In 2015 Shedload Theatre looked at the former, in an inventive show called The Statement Of Randolph Carter.

The big moment in the show is the Foley work. The show is presented as a radio play, and that means lots of sound effects performed live. The story is very much classic horror, but the theatre experience is much more visual than you would expect… and thoroughly engaging. There’s also the importance of the entire body of work built on H P Lovecraft’s work – all of which are out of copyright and free to perform.

H P Lovecraft’s signature wordy and overflowingly verbose style suits performance rather well, as does the brilliant use of live foley to create a sense of being in the story in more than simple words. The evocations of rippling water, grating stone and creaking metal become almost immediately natural as the audience is swept into the tales… If you are looking for something eerie and chilling to round off the Fringe, you couldn’t do much better.

British Theatre Guide / * * * *

As Shedload Theatre piled into the studio, we did something a little different. Yes there’s an interview in here to find out more about the show… but there’s also a performance from part of the show (a story called The Temple) which they perform live… along with all those foley effects!

And so we head, warily, to Surgeons Hall, to a desk of foley effects and horror, to ‘The Statement Of Randolph Carter.’

Listen to more from the Fringe at edinburghfringe.thepodcastcorner.com. Follow the show on Apple Podcasts, Spotify, Google Podcasts, or in your favourite podcast app, to never miss an episode.

  continue reading

77 afleveringen

Artwork
iconDelen
 

Gearchiveerde serie ("Inactieve feed" status)

When? This feed was archived on February 27, 2024 05:26 (2M ago). Last successful fetch was on March 01, 2024 05:13 (2M ago)

Why? Inactieve feed status. Onze servers konden geen geldige podcast feed ononderbroken ophalen.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 346377444 series 3305451
Inhoud geleverd door The Podcast Corner. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door The Podcast Corner of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

The world of H P Lovecraft is one that many people have explored, both the horror of the writing and the horror of the man. In 2015 Shedload Theatre looked at the former, in an inventive show called The Statement Of Randolph Carter.

The big moment in the show is the Foley work. The show is presented as a radio play, and that means lots of sound effects performed live. The story is very much classic horror, but the theatre experience is much more visual than you would expect… and thoroughly engaging. There’s also the importance of the entire body of work built on H P Lovecraft’s work – all of which are out of copyright and free to perform.

H P Lovecraft’s signature wordy and overflowingly verbose style suits performance rather well, as does the brilliant use of live foley to create a sense of being in the story in more than simple words. The evocations of rippling water, grating stone and creaking metal become almost immediately natural as the audience is swept into the tales… If you are looking for something eerie and chilling to round off the Fringe, you couldn’t do much better.

British Theatre Guide / * * * *

As Shedload Theatre piled into the studio, we did something a little different. Yes there’s an interview in here to find out more about the show… but there’s also a performance from part of the show (a story called The Temple) which they perform live… along with all those foley effects!

And so we head, warily, to Surgeons Hall, to a desk of foley effects and horror, to ‘The Statement Of Randolph Carter.’

Listen to more from the Fringe at edinburghfringe.thepodcastcorner.com. Follow the show on Apple Podcasts, Spotify, Google Podcasts, or in your favourite podcast app, to never miss an episode.

  continue reading

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