Episode 11: DJ 的黄金时代（「为什么会有摇滚」系列之二）

talich 闲侃

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Understanding the Elegant Math Behind Modern Machine Learning 1:14:43

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Artificial intelligence is evolving at an unprecedented pace—what does that mean for the future of technology, venture capital, business, and even our understanding of ourselves? Award-winning journalist and writer Anil Ananthaswamy joins us for our latest episode to discuss his latest book Why Machines Learn: The Elegant Math Behind Modern AI . Anil helps us explore the journey and many breakthroughs that have propelled machine learning from simple perceptrons to the sophisticated algorithms shaping today’s AI revolution, powering GPT and other models. The discussion aims to demystify some of the underlying mathematical concepts that power modern machine learning, to help everyone grasp this technology impacting our lives–even if your last math class was in high school. Anil walks us through the power of scaling laws, the shift from training to inference optimization, and the debate among AI’s pioneers about the road to AGI—should we be concerned, or are we still missing key pieces of the puzzle? The conversation also delves into AI’s philosophical implications—could understanding how machines learn help us better understand ourselves? And what challenges remain before AI systems can truly operate with agency? If you enjoy this episode, please subscribe and leave us a review on your favorite podcast platform. Sign up for our newsletter at techsurgepodcast.com for exclusive insights and updates on upcoming TechSurge Live Summits. Links: Read Why Machines Learn, Anil’s latest book on the math behind AI https://www.amazon.com/Why-Machines-Learn-Elegant-Behind/dp/0593185749 Learn more about Anil Ananthaswamy’s work and writing https://anilananthaswamy.com/ Watch Anil Ananthaswamy’s TED Talk on AI and intelligence https://www.ted.com/speakers/anil_ananthaswamy Discover the MIT Knight Science Journalism Fellowship that shaped Anil’s AI research https://ksj.mit.edu/ Understand the Perceptron, the foundation of neural networks https://en.wikipedia.org/wiki/Perceptron Read about the Perceptron Convergence Theorem and its significance https://www.nature.com/articles/323533a0…

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二战后 DJ 和独立电台的兴起。

战后独立电台热；
独立电台的商业模式；
RCA 诉 Whiteman 案；
DJ 创造的虚拟社区；
DJ 如何制造金曲

《talich 闲侃》，有闲得聊，关注美国流行文化史，网址：https://talich.fm

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talich: 美国流行文化史爱好者，《娱乐的逻辑》作者

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Episode 11: DJ 的黄金时代（「为什么会有摇滚」系列之二）

talich 闲侃

15 subscribers

published 5 jaar geleden

MP3•Thuis aflevering

二战后 DJ 和独立电台的兴起。

战后独立电台热；
独立电台的商业模式；
RCA 诉 Whiteman 案；
DJ 创造的虚拟社区；
DJ 如何制造金曲

《talich 闲侃》，有闲得聊，关注美国流行文化史，网址：https://talich.fm

登场人物

talich: 美国流行文化史爱好者，《娱乐的逻辑》作者

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1
EP23: 走进音乐厅的灵歌（「寻找正宗的蓝调」系列之五） 1:07:26

21 dagen geleden1:07:26

1:07:26

黑人提升自己音乐地位的努力，终于经过灵歌获得了成功。主要聊聊几位著名的黑人音乐人，James Reese Europe，Will Marion Cook，Henry Burleigh，Nathaniel Dett，Marian Anderson。《talich 闲侃》，有闲得聊，关注美国流行文化史，网址： https://talich.fm 主要参考文献： Horowitz, J. (2001). Dvořák and Boston . American Music, 19(1), 3-17. Adam Gingery, Dvořák and the American Connection Fenner, Thomas P. (1874) Cabin and plantation songs : as sung by the Hampton students . New York: G.P. Putnam's sons. Fenner, Thomas P; Cleaveland, Bessie; Rathbun, Frederic G; Hampton Institute; De Vincent Collection of American Sheet Music (1901) Cabin and plantation songs as sung by the Hampton students . New York: London, G.P. Putnam's sons. Fenner, Thomas P; Hampton Normal and Agricultural Institute (Va.) (1909) Religious folk songs of the Negro as sung on the plantations , Hampton, Va.: Institute Press. Carter, M. G. (2008). Swing along: the musical life of Will Marion Cook . New York: Oxford University Press. Walker, W. T. (1979). "Somebody's calling my name": Black sacred music and social change . Valley Forge, PA: Judson Press. Seroff, D. (2001). “A voice in the wilderness”: The Fisk Jubilee singers’ civil rights tours of 1879–1882 . Popular Music and Society, 25(1-2), 131–177. Graham, S. (2006). On the Road to Freedom: The Contracts of the Fisk Jubilee Singers . American Music, 24(1), 1. Carter, M. G. (2008). Swing along: the musical life of Will Marion Cook . New York: Oxford University Press. Walton, L. A., White, L. H., K., A. W., & White, L. H. (1978). Black-Music Concerts in Carnegie Hall, 1912-1915 . The Black Perspective in Music, 6(1), 71. Brooks, T. & Spottswood, R. K. (2004). Lost sounds: blacks and the birth of the recording industry, 1890-1919 . Urbana: University of Illinois Press. 相关录音： Symphony No. 9 in E Minor, Op. 95, B.178: 1. Adagio - Allegro molto ，Antonin Dvorak 作曲，Istvan Kertesz/London Symphony Orchestra 演奏，1967，Decca Swing Low, Sweet Chariot ，Wallace Willis/Minerva Willis 词曲，Fisk University Jubilee Quartet 演唱，1909，Victor Too Much Mustard ，Cecil Macklin 作曲，James Europe/Europe’s Society Orchestra 演奏，1913，Victor Too Much Mustard ，Cecil Macklin 作曲，Victor Military Band 演奏，1913，Victor Clarinet Marmalade ，Larry Shields/Henry Ragas 作曲，Original Dixieland Jass Band 演奏，1918，Victor Clarinet Marmalade ，Larry Shields/Henry Ragas 作曲，Lt. Jim Europe's 369th U.S. Inf. (Hell Fighters) Band 演奏，1919，Pathe Swing Along ，Will Marion Cook 词曲，Will Marion Cook/Afro-American Folk Song Singers 演唱，1914，Columbia Listen to the Lambs ，传统灵歌，Hampton Quartette 演唱，1917，未出版 Listen to the Lambs ，R Nathaniel Dett 作曲，William L. Dawson/Tuskegee Institute Choir 演唱，1954，Westminster In the Bottoms: No. 5, Juba Dance ，R Nathaniel Dett 作曲，Percy Grainger 演奏，1917，Columbia Deep River ，传统灵歌，Harry Burleigh 改编，Marian Anderson/Kosti Vehanen 唱奏，1938，Victor Nobody Knows De Trouble I've Seen ，传统灵歌，Harry Burleigh 改编，Oscar Seagle 演唱，1917，Columbia Go Down Moses ，传统灵歌，Harry Burleigh 改编/演唱，1919，Broome Marian Anderson Sings at the Lincoln Memorial, April 9, 1939 ，Marian Anderson/Kosti Vehanen 唱奏，1939，Hearst Metrotone News Negro Folk Symphony - I. The Bond of Africa , William L Dawson 作曲，Yannick Nézet-Séguin/Philadelphia Orchestra, 2023, Deutsche Grammophon On patrol in no man's land ，James Reese Europe/Nobel Sissle/Eubie Blake 词曲，Lt. Jim Europe's 369th U.S. Inf. (Hell Fighters) Band 演奏，1919，Pathe Jean ，Frank Lebby Stanton 词/Henry Burleigh 曲，Nellie Melba/Landon Ronald 唱奏，1910，未出版 In the Bottoms - Barcarolle ，R Nathaniel Dett 作曲/演奏，1919，Broome Listen to the Lambs ，R Nathaniel Dett 作曲，Nathaniel Dett Chorale 演唱，2002，Marquis Classics…

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死而复生的灵歌（「寻找正宗的蓝调」系列之四） 38:29

7 weeks geleden38:29

38:29

期数 22 标题死而复生的灵歌（「寻找正宗的蓝调」系列之四）人物 talich 内容简介灵歌是美国南方奴隶制时期黑奴唱的基督教歌曲。在南北战争后，灵歌被黑人放弃，成为了历史文物。不久，却因为白人的关注，被黑人音乐人重新捡了起来。《talich 闲侃》，有闲得聊，关注美国流行文化史，网址： https://talich.fm 相关链接 List of Bob Dylan songs based on earlier tune Spirituals (The Library of Congress Celebrates the Songs of America) 主要参考文献 Brooks, T. (2000). "Might Take One Disc of This Trash as a Novelty": Early Recordings by the Fisk Jubilee Singers and the Popularization of "Negro Folk Music" . American Music, 18(3), pp. 278-316 Walker, W. T. (1979). "Somebody's calling my name": Black sacred music and social change . Valley Forge, PA: Judson Press. Seroff, D. (2001). “A voice in the wilderness”: The Fisk Jubilee singers’ civil rights tours of 1879–1882 . Popular Music and Society, 25(1-2), 131–177. Graham, S. (2006). On the Road to Freedom: The Contracts of the Fisk Jubilee Singers . American Music, 24(1), 1. 相关录音 No More Auction Block For Me ，传统歌曲，Odetta 演唱，1960，Vanguard Blowin' in the Wind ，Bob Dylan 词曲，Bob Dylan 演唱，1963，Columbia We Shall Overcome ，The Freedom Singers 演唱，1960，Folkways No More Auction Block ，传统灵歌，Bob Dylan 编曲演唱，1962，Columbia Nobody Knows the Trouble I've Seen , Lawrence Brown 编曲, Marian Anderson/Josef Pasternack /Charles Adams Prince/Bruno Reibold 唱奏，1924，Victor Roll Jordan Roll ，传统灵歌，John Legend 演唱，2013，Columbia Go Down Moses ，传统灵歌，Louis Armstrong with The Sy Oliver Choir and The All Stars 唱奏，1958，Decca Mary, Don't You Weep ，传统灵歌，Aretha Franklin/James Cleveland and The Southern California Community Choir 演唱，1972，Atlantic Mary, Don't You Weep ，传统灵歌，Fisk University Male Quartette 演唱，1915，Columbia Swing Low, Sweet Chariot ，Wallace Willis/Minerva Willis 词曲，Fisk University Jubilee Quartet 演唱，1909，Victor Old Black Joe ，Stephen Foster 词曲，Fisk University Jubilee Quartet 演唱，1909，Victor…

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黑人的黑人音乐剧，白人的黑人音乐剧（「寻找正宗的蓝调」系列之三） 1:03:06

14 weeks geleden1:03:06

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期数 20 标题黑人的黑人音乐剧，白人的黑人音乐剧（「寻找正宗的蓝调」系列之三）人物 talich 内容简介「寻找正宗的蓝调」系列第三期。本期播客继续探讨美国百老汇早期音乐剧中黑人艺术家的历史，聊了他们如何在一个种族偏见严重的娱乐行业中最终打上百老汇，但是到头来依然被刻板印像所困。 Bob Cole 为进入百老汇所采取的创新策略——扮演白人。 Bob Cole 和 Johnson 兄弟打造没有奴隶制的南方意境，为白人音乐剧写歌。 Shuffle Along，第一部取得全国性商业成功的黑人音乐剧。黑人音乐剧如何被白人化，形成了黑人表演，白人制作的套路。《talich 闲侃》，有闲得聊，关注美国流行文化史，网址： https://talich.fm 相关链接主要参考文献 Sanjek, R. (1988). American popular music and its business: the first four hundred years . Volume II: From 1790 to 1909. New York: Oxford University Press. McAllister, M. E. (2011). Whiting up: whiteface minstrels & stage Europeans in African American performance . Chapel Hill: University of North Carolina Press. Woll, A. L. (1989). Black musical theatre: from Coontown to Dreamgirls . Baton Rouge: Louisiana State University Press. Krasner, D. (2002). A beautiful pageant: African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927 (1st ed). New York: Palgrave Macmillan. Hay, S. A. (1994). African American theatre: an historical and critical analysis . Cambridge: Cambridge University Press. 相关录音： Lift Every Voice and Sing , James Weldon Johnson 词/J. Rosamond Johnson 曲，Alicia Keys 演唱，2020，NFL The Maiden with the Dreamy Eyes , James Weldon Johnson/Robert Cole 词曲，Melinda Doolittle 演唱，2013，Curb Records Under the Bamboo Tree ，Robert Cole/J. Rosamond Johnson/James Weldon Johnson 词曲，Judy Garland/Margaret O'Brien 演唱，1944，Decca Love Will Find a Way ，Noble Sissle 词/Eubie Blake 曲，Ivan Harold Browning 演唱/Eubie Blake 钢琴，2016，Harbinger Records I'm Just Wild About Harry ，Noble Sissle 词/Eubie Blake 曲，Judy Garland 演唱/Victor Young & His Orchestra 伴奏，1943，Decca Charleston ，Cecil Mack 词/James P Johnson 曲，James P Johnson 钢琴，1923，QRS I Can't Give You Anything But Love ，Dorothy Fields 词/Jimmy McHugh 曲，Ethel Waters 演唱/Duke Ellington & His Orchestra 伴奏，1932，Brunswick Ol' Man River ，Oscar Hammerstein II 词/Jerome Kern 曲，Paul Robeson 演唱/Victor Young & His Orchestra 伴奏，1932，Brunswick Supper Time ，Irvin Berlin 词曲，Ethel Waters 演唱/Reggie Beane 钢琴，1947，Mary Howard Recordings Blowin' in the Wind ，Bob Dylan 词曲，Bob Dylan 演唱，1963，Columbia We Shall Overcome ，The Freedom Singers 演唱，1960，Folkways A Change Is Gonna Come ，Sam Cooke 词曲，Sam Cooke 演唱，1964，RCA Victor…

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(黑人艺人)怎么才能写出(正宗的)黑人音乐（「寻找正宗的蓝调」系列之二） 47:36

17 weeks geleden47:36

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「寻找正宗的蓝调」系列第二期。早期的黑人艺人为了入行，登上全国娱乐舞台，一直面对两条道路的选择，一条是白人化，消去黑人的痕迹。这在不露脸的作曲家是比较容易实现的，但是换成要登台表演的艺人，就成了几乎不可跨越的门槛。于是大部分人选择了第二条路，就是黑人化，扮演白人主流观众眼中的标准黑人形像，他们也就最早取得了商业成功。今天我们就来聊聊几位艺人的努力。在这期里，你会听到： *什么是黑人音乐 *一歌两唱 *黑人与黑脸表演 *James Bland 写白人歌 *Ernest Hogan 和 Coon Song *Will Marion Cook 和黑人音乐剧的诞生《talich 闲侃》，有闲得聊，关注美国流行文化史，网址： https://talich.fm 相关链接主要参考文献 Sanjek, R. (1988). American popular music and its business: the first four hundred years . Volume II: From 1790 to 1909. New York: Oxford University Press. McAllister, M. E. (2011). Whiting up: whiteface minstrels & stage Europeans in African American performance . Chapel Hill: University of North Carolina Press. Horowitz, J. (2001). Dvořák and Boston . American Music, 19(1), 3-17. Gingery, A. (2016). Dvořák and the American Connection , Philadelphia Chamber Music Society. 相关录音： Carmen Fields interviews Dr. Kenneth Clark , The 10 O'Clock News, WGBH, 10/18/1988, Boston TV News Digital Archive Run, Nigger, Run , 电影《12 Years A Slave》原声 Only in America , Jerry Leiber/Mike Stoller/Barry Mann/Cynthia Weil 词曲，The Drifters/Garry Sherman 唱奏，1963 录音，1972 出版，Atlantic Only in America , PJerry Leiber/Mike Stoller/Barry Mann/Cynthia Weil 词曲，Jay and the Americans/Garry Sherman 唱奏，1963，Atlantic Bully Song ，Charles E Trevathan 词曲，May Irwin 演唱，Victor，1907 Oh, Dem Golden Slippers ，James Bland 词曲，Fats Waller 唱奏，1939 录音，1979 出版，HighNote Records Carry Me Back to Old Virginny , James Bland 词曲，Alma Gluck 演唱，Walter B. Rogers 指挥，1914，Victor Carry Me Back to Old Virginny , James Bland 词曲，Ray Charles 演唱，1960， ABC-Paramount Old Folks at Home (Swanee River) , Stephen Foster 词曲，Paul Robeson 演唱，1930，Victor All Coons Look Alike to Me ，Ernest Hogan/Max Hoffman 词曲，Arthur Collins/Vess L. Ossman 演奏，1902，Edison All Coons Look Alike to Me ，Ernest Hogan/Max Hoffman 词曲，midi 复现 Who Dat Say Chicken in Dis Crowd ，Paul Laurence Dunbar 词/Will Marion Cook 曲，Williams Brown 演唱/Ann Sears 钢琴，2000，Albany Records…

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EP19: 黑人的歌白人唱（「寻找正宗的蓝调」系列之一） 55:21

1 year geleden55:21

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内容简介新开一个小系列，来讲讲黑人蓝调音乐怎么就这么变成了得由黑人来演来唱的音乐。当然，这句话后面的意思是，在黑人蓝调成为要由黑人来演唱的音乐之前，白人也可以演可以唱的，甚至，在很长一段时间，唱片里的蓝调音乐是只能有白人来演来唱的。出现这种情况，当然是因为歧视，白人的特权。小系列第一期，我们先聊聊白人的音乐特权，男性的特权，女性的特权，作为受害者的反抗特权。早期爵士和蓝调的共生关系美国流行文化中的一个重要母题：白人男性的危机对于女艺人的双标 1900 年代新女性艺人的叛逆之道《talich 闲侃》，有闲得聊，关注美国流行文化史，网址： https://talich.fm 相关链接主要参考文献 Sanjek, R. (1988). American popular music and its business: the first four hundred years . Volume II: From 1790 to 1909. New York: Oxford University Press. Ashby, L. (2006). With amusement for all: a history of American popular culture since 1830 . Lexington: University Press of Kentucky. Apolloni, A. M. (2021). Freedom girls: voicing femininity in 1960s British pop . Oxford University Press. Miller, K. H. (2010). Segregating sound: inventing folk and pop music in the age of Jim Crow . Durham: Duke University Press. Suisman, D. (2009). Selling sounds: the commercial revolution in American music . Cambridge, Mass.: Harvard University Press. Lott, E. (1993). Love and theft: blackface minstrelsy and the American working class . New York: Oxford University Press. Bowden, B. & Dylan, B. (1982). Performed literature: words and music by Bob Dylan. Bloomington: Indiana University Press. Kennedy, D. M. (2004). Over here: the First World War and American society (25th anniversary ed) . Oxford,: Oxford University Press. 相关录音： The Garbage Man ，Paul Barbarin/Herb Morand 词曲，Harlem Hamfats 演奏，1936，Decca Livery Stable Blues ，Ray Lopez/Alcide Nunez 作曲，Original Dixieland Jazz Band 演奏，1917，Victor St. Louis Blues ，W.C. Handy 词曲，Bessie Smith/Louis Armstrong/Fred Longshaw 演奏，1925，Columbia Memphis Blues ，W.C. Handy 曲，James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band 演奏，1919，Pathe Memphis Blues ，W.C. Handy 曲，Victor Military Band 演奏，1914，Victor St. Louis Blues ，W.C. Handy 词曲，Louis Armstrong/Billy Kyle/Arvell Shaw/Barney Bigard/Trummy Young/Barrett Deems/Velma Middleton 演奏，1954，Columbia Downhearted Blues ，Alberta Hunter 词/Lovie Austin 曲，Bessie Smith/Clarence Williams 演奏，1923，Columbia Crazy Blues ，Perry Bradford 词曲，Mamie Smith and Her Jazz Hounds 演奏，1920，OKeh Home Sweet Home ，John Howard Payne 词/Henry Bishop 曲，Deanna Durbin/Charles Previn and His Orchestra 演奏，1939，Decca The Man Who Wrote Home Sweet Home Never Was a Married Man ，Fleta Jan Brown 词曲，Jerry Garcia/Sara Ruppenthal 演奏，1963，Round Oh! Susanna ，Stephen Foster 词曲，Al Jolson 演唱， All Coons Look Alike to Me ，Ernest Hogan/Max Hoffman 词曲，Arthur Collins/Vess L. Ossman 演奏，1902，Edison All Coons Look Alike to Me ，Ernest Hogan/Max Hoffman 曲（midi 复现），1896 Maple Leaf Rag ，Scott Joplin 作曲/演奏（midi 复现），1916，Connorized Alexander's Ragtime Band ，Irvin Berlin 词曲，The Boswell Sisters/The Dorsey Brothers Orchestra 演奏，Columbia，1934 Like a Rolling Stone ，Bob Dylan 词曲，Bob Dylan/Michael Bloomfield/Al Kooper/Frank Owens/Joseph Macho Jr./Bobby Gregg/Bruce Langhorne 演奏，Columbia，1965 As Tears Go By ，Mick Jagger/Keith Richard/Andred Loog Oldham 词曲，Marianne Faithfull 演唱，London，1964 Je t'aime...Moi non plus ，Serge Gainsbourg 词曲，Serge Gainsbourg/Jane Birkin 演唱，Fontana，1969 Broken English ，Marianne Faithfull/Barry Reynolds/Joe Mavety/Stephen David York/Terence Philip Stannard 词曲，Marianne Faithfull 演唱，Derek Jarman 导演（《Broken English》），Island，1979 Some of These Days ，Shelton Brooks 词曲，Sophie Tucker/Ted Shapiro 演奏，Columbia，1927 Bully Song ，Charles E Trevathan 词曲，May Irwin 演唱，Victor，1907 I Don't Care ，Jean Lenox 词/Harry O. Sutton 曲，Eva Tanguay 演唱，Nordskog，1922 相关影像 Kiss ，May Irwin/John Rice 出演，Edison，1896 支持本播客本播客争取保持缓慢的更新。想要支持本播客，欢迎在爱发电购买《美国娱乐史前史》。内容呢主要来自多年以前在《虹膜》电子杂志上的《娱乐的逻辑》专栏（当然也是在缓慢更新中...）…

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EP18: Muddy Waters 的大声音（「为什么会有摇滚」系列之九） 1:14:09

1 year geleden1:14:09

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内容简介战后芝加哥蓝调的代表人物 Muddy Waters 寻找属于自己的大声音的故事。电吉他成为 R&B 的代表性乐器制作人如何影响我们听到的声音《talich 闲侃》，有闲得聊，关注美国流行文化史，网址： https://talich.fm 相关链接参考阅读 Kelley, N. (2005). R&B, rhythm and business: the political economy of Black music . New York: Akashic Books. Gordon, R. (2002). Can't be satisfied: the life and times of Muddy Waters (1st ed). Boston: Little, Brown. The Legendary Parkway Label Waksman, S. (1999). Instruments of desire: the electric guitar and the shaping of musical experience . Cambridge, Mass.: Harvard University Press. 相关录音： Juke ，Little Walter 作曲，Little Walter & His Night Cats 演奏，1952，Chess Peggy Sue , Jerry Allison/Norman Petty/Buddy Holly 词曲，Buddy Holly and the Crickets 演奏，1958，Val Parnell’s Sunday Night at the London Palladium 现场录音 Dust My Broom , Robert Johnson/Elmore James 词曲, Elmore James/Sonny Boy Williamson II/Leonard Ware/Frock O'Dell 演奏, 1951, Trumpet Mean Red Spider ，Robert Lockwood Jr. 词曲，Muddy Waters/James "Sweet Lucy" Carter and his Orchestra 演奏，1946，Ballen Record Hard Day Blues ，Muddy Waters 词曲，Muddy Waters/James Clark/Ransom Knowling/Judge Riley 演奏，1946，当时未出版，Sony I Be's Troubled ，Muddy Waters 词曲/演奏，1941，Library of Congress Little Anna Mae ，Muddy Waters 词曲，Muddy Waters/Sunnyland Slim/Ernest "Big" Crawford 演奏，1948，Aristocrat Katie Mae Blues ，Lightnin' Hopkins 词曲，Lightnin' Hopkins/Wilson “Thunder” Smith 演奏，1947，Alladin Ludella ，Jimmy Rogers 词曲，Jimmy Rogers/Muddy Waters/Little Walter/Sunnyland Slim/Ernest "Big" Crawford/Leroy Foster 演奏，1950，Regal Kidman Blues ，Memphis Minnie 词曲，Memphis Minnie/Little Son Joe/Sunnyland Slim/Ernest "Big" Crawford/Leroy Foster 演奏，1950，Regal I Can't Be Satisfied ，Muddy Waters 词曲，Muddy Waters/Ernest "Big" Crawford 演奏，1948，Aristocrat I Feel Like Going Home ，Muddy Waters 词曲，Muddy Waters/Ernest "Big" Crawford 演奏，1948，Aristocrat Rollin' Stone ，Muddy Waters 词曲，Muddy Waters/Ernest "Big" Crawford 演奏，1950，Chess My Foolish Heart ，Ned Washington 词/Victor Young 曲，Gene Ammons And His Sextet 演奏，1950，Chess Rollin' and Tumblin ，Hambone Willie Newbern/Muddy Waters 词曲，Leroy Foster/Little Walter/Muddy Waters 演奏，1950，Parkway Rollin' and Tumblin ，Muddy Waters/Ernest "Big" Crawford 演奏，1950，Aristocrat Still A Fool ，Muddy Waters 词曲，Muddy Waters/Little Walter/Leonard Chess 演奏，1951，Chess She Moves Me ，Muddy Waters 词曲，Muddy Waters/Little Walter/Leonard Chess 演奏，1951，Chess Rocket 88 ，Jackie Brenston/Ike Turner 词曲，Ike Turner and his Kings of Rhythm 演奏，1951，Chess How Many More Years ，Howlin' Wolf 词曲，Howlin' Wolf/Ike Turner/Willie Johnson/Willie Steele 演奏，1951，Chess Mad Love (I Want You To Love Me) ，Muddy Waters 词曲，Muddy Waters/Jimmy Rogers/Little Walter/Otis Spann/Willie Dixon/Fred Below 演奏，1953，Chess (I'm Your) Hoochie Coochie Man ，Willie Dixon 词曲，Muddy Waters/Jimmy Rogers/Little Walter/Otis Spann/Willie Dixon/Fred Below 演奏，1954，Chess (I Can't Get No) Satisfaction ，Mick Jagger/Keith Richards 词曲，The Rolling Stones 演奏，1965，London/Decca 登场人物 talich: 美国流行文化史爱好者，《娱乐的逻辑》作者…

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EP17: 口琴、吉他、弦乐队（「为什么会有摇滚」系列之八） 59:42

2 years geleden59:42

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内容简介战后芝加哥城市蓝调的核心组合是吉他和口琴，这其实是传统的弦乐队组合。这一期我们以一对重要的吉他和口琴蓝调组合，Sonny Boy Williamson 和 Robert Lockwood Jr 为中心，聊聊弦乐队。南方电台最早的黑人音乐节目 King Biscuit Time 和关于黑人的一些刻板印像弦乐队，和关于弦乐队的刻板印像口琴，简单易用而且便宜的入门乐器弦乐队的节奏部，和鼓另外，节目中有两首曲子当时没有找到完整的演奏者信息，现在已经查到，并在相关录音信息中补全。其中，Sonny Boy Williamson 1965 年在 King Biscuit Time 里的演出，合作者是吉他手 Houston Stackhouse 和鼓手 James Curtis。Curtis 就是在一开始加盟 King Biscuit 的那位鼓手。《talich 闲侃》，有闲得聊，关注美国流行文化史，网址： https://talich.fm 相关链接参考阅读： Palmer, R. (1981). Deep blues . Harmondsworth, Middlesex, England: Penguin Books. Field, K. (1993). Harmonicas, harps, and heavy breathers . New York: Simon & Schuster. Russell, T. (2007). Country music originals: the legends & the lost . Oxford: Oxford University Press. Ward, B. & Huber, P. (2018). A&R pioneers: architects of American roots music on record . Vanderbilt University Press and the Country Music Foundation Press. Birnbaum, L. (2013). Before Elvis: the prehistory of rock 'n' roll . Lanham, Md.: Scarecrow Press. Fish, Scott K. (1982), History of Rock Drumming, Part I-II. Modern Drummer, Issue 33 , Issue 34 , 1982 相关录音： I don't know ，Sonny Boy Williams II 词曲, Sonny Boy Williams II/Robert Lockwood Jr/Luther Tucker/Willie Dixon/Fred Below 演奏, 1957,Checker Love Me Do , Lennon–McCartney 词曲, the Beatles 演奏, 1962, Parlophone Black and Tan Fantasy , Duke Ellington/Bubber Miley 作曲，Duke Ellington and his Washingtonians 演奏，1927， Victor The Little Old Log Cabin In The Lane ，Will S. Hays 作曲，Fiddlin' John Carson 演奏，1923，Okeh Don't Let Your Deal Go Down Blues , Norman Woodlieff 词曲，Charlie Poole with The North Carolina Ramblers 演奏，1925，Columbia Sitting On Top Of The World ，Walter Vinson/Lonnie Chatmon 词曲, Mississippi Sheiks 演奏, 1930, Okeh A Fiddler's Convention in Georgia, Pt. 1 ，Clayton McMichen/Gid Tanner/Riley Puckett/Bob Nichols/Fate Norris/Bert Layne 演奏，1927， Peg O' My Heart , Alfred Bryan 词/Fred Fisher 曲，Harmonicats 演奏，1947，Vitacoustic Records Train Kept A-Rollin' , Tiny Bradshaw/Lois Mann/Howard Kay 词曲, the YardBirds 演奏, 1966, Reelin’ In The Years Productions Bye Bye Bird , Willie Dixon/Sonny Boy Williamson II 词曲, Sonny Boy Williamson II/the Yardbirds, 1966, Fontana Pot Licker Blues , El Watson 作曲, El Watson/Charles Johnson 演奏, 1927, Victor John Henry , 传统民谣，De Ford Bailey 演奏，1932， Victor The Wreck of the Old 97 , G. B. Grayson/Henry Whitter 词曲，Vernon Dalhart/Carson Robison 演奏, 1924, Victor It's King Biscuit Time , Sonny Boy Williamson II/Houston Stackhouse/James Curtis 演奏, John William “Sonny” Payne 主持, 1965, Arhoolie Take A Little Walk with Me ，Robert Lockwood Jr 词曲, Robert Lockwood Jr/Alfred Elkins 演奏, 1941, Bluebird Hot Dogs , George Perkins 词曲, Blind Lemon Jefferson 演奏, 1927, Paramount That's All Right , Arthur Crudup 词曲，Elvis Presley/Scotty Moore/Bill Black 演奏, 1954, Sun Heartbreak Hotel , Mae Boren Axton/Tommy Durden/Elvis Presley 词曲, Elvis Presley/Scotty Moore/Bill Black/Chet Atkins/Floyd Cramer 演奏, 1956, Victor Eyesight to the Blind , Sonny Boy Williamson II 词曲, Sonny Boy Williamson II/Elmore James/Joe Willie Wilkins/Willie Love/Joe Dyson 演奏, 1951, Trumpet Eyesight to the Blind(The Hawker) , Sonny Boy Williamson II 词曲, The Who 演奏, 1969, Polydor Dust My Broom , Robert Johnson 词曲，Robert Lockwood Jr/Sunnyland Slim/Ernest 'Big' Crawford/Alfred Wallace 演奏, 1951, Mercury Dust My Broom , Robert Johnson/Elmore James 词曲, Elmore James/Sonny Boy Williamson II/Leonard Ware/Frock O'Dell 演奏, 1951, Trumpet Dust My Broom , Robert Johnson/Elmore James 词曲, Elmore James and His Broom Dusters 演奏, 1963, Fire 登场人物 talich: 美国流行文化史爱好者，《娱乐的逻辑》作者…

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EP16: 制造城市蓝调（「为什么会有摇滚」系列之七） 57:27

2 years geleden57:27

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内容简介 1930 年代芝加哥城市蓝调的兴起。介绍一下二战前 A&R 的基本工作 A&R 制造/推进的一些音乐：answer song 和 event song 几个 A&R，J Mayo Williams，Aletha Dickerson，和 Lester Melrose，看他们如何打造城市蓝调几组承起启后的重要艺人，Hokum Boys，Memphis Minnie，Harlem Hamfats 《talich 闲侃》，有闲得聊，关注美国流行文化史，网址： https://talich.fm 相关链接参考阅读 Kelley, N. (2005). R&B, rhythm and business: the political economy of Black music . New York: Akashic Books. Ward, B. & Huber, P. (2018). A&R pioneers: architects of American roots music on record . Vanderbilt University Press and the Country Music Foundation Press. Garon, P. & Garon, B. (1992). Woman with guitar: Memphis Minnie's blues . New York: Da Capo Press. Birnbaum, L. (2013). Before Elvis: the prehistory of rock 'n' roll . Lanham, Md.: Scarecrow Press. Santelli, R. & Guthrie, N. (2012). This land is your land: Woody Guthrie and the journey of an American folk song . Philadelphia: Running Press. 相关录音： Shake that thing , Papa Charlie Jackson 词曲/演奏, 1925, Paramount God Bless America ，Irvin Berlin 词曲，Kate Smith 演唱，Jack Miller 指挥乐队和合唱队，1939, Victor This Land is Your Land ， Woody Guthrie 词曲/演奏, 1944, Asch Recordings [Little Darling, Pal of Mine( https://youtu.be/F_dRyqNPlUw ), A.P. Carter 词曲，Carter Family 演奏，1928，Victor When the World's On Fire ，A.P. Carter/Virginia Suber 词曲，Carter Family 演奏，1930，Victor The Death of Floyd Collins ，Andrew Jenkins 牧师词曲，Vernon Dalhart/Lou Raderman/Carson Robison 演奏，1926，Victor When the Levee Breaks ，John Bonham/John Paul Jones/Memphis Minnie/Jimmy Page/Robert Plant 词曲，Led Zeppelin 演奏，1971，Atlantic When the Levee Breaks ，Kansas Joe McCoy/Memphis Minnie 词曲/演奏，1929，Columbia Back-Water Blues ，Bessie Smith 词曲，Bessie Smith/James P Johnson 演奏，1927，Columbia Your Mother's Son-In-Law ，Alberta Nichols/Mann Holiner 词曲，Billie Holiday/Benny Goodman 乐队演奏，1933，Columbia Summertime ，DuBose Heyward/Ira Gershwin 词，George Gershwin 曲，Bellie Holiday 演唱，1936，Vocalion Selling That Stuff ，Thomas Dorsey 词曲，The Hokum Boys 演奏，1928，Paramount Bumble Bee ，Memphis Minnie 词曲，Memphis Minnie/Kansas Joe 演奏，1930，Vocalion Me and My Chauffeur Blues ，Memphis Minnie 词曲，Memphis Minnie/Son Joe 演奏，1941，OKeh Oh! Red ，Joe McCoy 词曲，Harlem Hamfats 演奏，1936，Decca The Weed Smoker's Dream ，Joe McCoy 词曲，Harlem Hamfats 演奏，1936，Decca Why Don't You Do Right? ，Joe McCoy 词曲，Lil Green/Big Bill Broonzy/Simeon Henry/Ransom Knowling 演奏，1941，Bluebird Why Don't You Do Right? ，Joe McCoy 词曲，Peggy Lee/Benny Goodman 乐队演奏，1942，Columbia I'm Gonna Move To The Outskirts Of Town ，Casey Bill Weldon/Roy Jacobs 词曲，Louis Jordan and His Tympany Five 演奏，1941，Decca We Gonna Move (To the Outskirts of Town) ，Casey Bill Weldon 词曲/演奏，1936，Vocalion Ration Blues ，Louis Jordan/Antonio Cosey/Collenane Clark 词曲，Louis and the Tympany Five 演奏，1943，Decca Rock Around the Clock ，Max C. Freedman/James E. Myers 词曲，Bill Haley & His Comets 演奏，1954，Decca 登场人物 talich: 美国流行文化史爱好者，《娱乐的逻辑》作者…

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EP15: 1928，吉他遇到钢琴（「为什么会有摇滚」系列之六） 35:22

2 years geleden35:22

35:22

简介讨论一下 1928 年出版的黑人流行音乐历史性唱片《How Long, How Long Blues》。乡村蓝调为什么要城市化早年唱片业音乐圈对乡村音乐和民间艺人的偏见钢琴和吉他的组合为什么会在 1928 年诞生机械录音时代的音质《talich 闲侃》，有闲得聊，关注美国流行文化史，网址： https://talich.fm 相关链接参考阅读 Wald, E. (2010). The blues: a very short introduction . New York: Oxford University Press. Suisman, D. (2009). Selling sounds: the commercial revolution in American music . Cambridge, Mass.: Harvard University Press. Stenstadvold, E. (2013). 'We hate the guitar': Prejudice and polemic in the music press in early 19th-century Europe . Early Music, 41(4), 595-604. 相关录音： It's Tight Like That , Tampa Red/Georgia Tom 作曲，Tampa Red/Georgia Tom 演奏, 1928, Vocalion How Long, How Long Blues ，Leroy Carr 作曲，Leroy Carr/Scrapper Blackwell 演奏，1928, Vocalion Interview #1 (Plantation Recording) ， Muddy Waters/Alan Lomax, 1941, Library of Congress Bottle It Up and Go , Tommy McClennan 演奏，1939，Bluebird Hot Fingers ，Eddie Lang/Lonnie Johnson 作曲，Eddie Lang/Lonnie Johnson 演奏，1929，Okeh Maple Leaf Rag ，Scott Joplin 作曲和演奏，1899 年自动钢琴录音，Midi 复现 How Long Daddy, How Long ，Ida Cox 作曲，Ida Cox/Papa Charlie Jackson 演奏，1926，Paramount Fore Day Creep ，Jesse Crump 作曲，Ida Cox/Jesse Crump 演奏，1927，Paramount Fore Day Creep ，Jesse Crump 作曲，Ida Cox And Her All-Star Band 演奏，1939，Vocalion The Whistling Coon ，Sam Devere 作曲，George Washington Johnson 演奏，1891，Columbia The Little Old Log Cabin In The Lane ，Will S. Hays 作曲，Fiddlin' John Carson 演奏，1923，Okeh 登场人物 talich: 美国流行文化史爱好者，《娱乐的逻辑》作者…

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EP14: 从大乐队到小乐团（「为什么会有摇滚」系列之五） 30:21

2 years geleden30:21

30:21

讨论一下为什么二战前盛极一时的大乐队会消失，如何瘦身成为 R&B 小乐团。禁酒令和流行音乐大萧条时期的大乐队二战对大乐队的影响小乐队的音乐风格 Boogie-Woogie 走红电吉他的声音《talich 闲侃》，有闲得聊，关注美国流行文化史，网址： https://talich.fm 相关链接参考阅读 Ake, D. A. (2002). Jazz cultures . Berkeley: University of California Press. Townsend, P. (2007). Pearl Harbor jazz: change in popular music in the early 1940s (1st ed). Jackson: University Press of Mississippi. Waksman, S. (1999). Instruments of desire: the electric guitar and the shaping of musical experience . Cambridge, Mass.: Harvard University Press. Sanjek, R. (1988). American popular music and its business: the first four hundred years , Vol. III, From 1900 to 1984. New York: Oxford University Press. 相关录音： Walk, Don't Run , Johnny Smith 作曲，The Ventures 演奏, 1960, Dolton Sing, Sing, Sing ，Louis Prima 作曲，Benny Goodman 和他的乐队演奏，1936, RCA Victor That'll be the Day ， Jerry Allison, Buddy Holly,Norman Petty 创作，Buddy Holly & the Crickets 演奏，1957，Bruswick Boogie Woogie Stomp , Albert Ammons 作曲/演奏，1939，Blue Note Caldonia Boogie ，Fleecie Moore 作曲，Louis Jordan and his Tympany Five 演奏，1945，Decca Milkcow Blues Boogie ，Kokomo Arnold 作曲，Elvis Presley/Scotty Moore/Bill Black 演奏, 1955，Sun That Ain't Right ，Nat King Cole/Irving Mills 作曲，King Cole Trio 演奏，1942，Decca West End Blues ，Joe "King" Oliver 作曲，Louis Armstrong and His Hot Five 演奏，1928，Okeh Mean Old World ，T-Bone Walker/Marl Young 作曲，T-Bone Walker/Freddie Slack/Jud DeNaut/Dave Coleman 演奏，1945，Capitol Solo Flight ，Charlie Christian/Benny Goodman/Jimmy Mundy 作曲，Charlie Christian/Benny Goodman and His Orchestra 演奏，1944，Columbia T-Bone Boogie ，Big Joe Turner/Pete Johnson/T-Bone Walker/Marl Young 作曲，T-Bone Walker with Marl Young's Orchestra 演奏，1945，Rhumboogie Ain't That Just Like a Woman(They'll Do It Every Time) ，Claude Demetrius/Fleecie Moore 作曲，Louis Jordan and his Tympany Five 演奏，1946，Decca Roll Over Beethoven ，Chuck Berry 作曲，Chuck Berry and his Combo 演奏，1956，Chess Johnny B Goode ，Chuck Berry 作曲，Chuck Berry/Lafayette Leake/Willie Dixon/Fred Below 演奏，1958，Chess Promised Land ，Chuck Berry 作曲/演奏，1964，Chess 人物简介 talich: 美国流行文化史爱好者，《娱乐的逻辑》作者…

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EP13: 寻找民歌，创造古典（「为什么会有摇滚」系列之四） 1:11:38

4 years geleden1:11:38

1:11:38

简介从类型音乐榜单引出的关于音乐类型的话题：为什么需要类型音乐榜单？这些榜单是如何统计的？最古老的现代类型音乐：民歌；民歌-古典框架下的音乐优劣论；作为乐器之王的钢琴； Whiteman 的 Aeolian Hall 音乐会让白人接受爵士；民歌-古典-流行框架下的音乐优劣论。《talich 闲侃》，有闲得聊，关注美国流行文化史网址： https://talich.fm 相关链接参考阅读 Gary Trust and Keith Caulfield, How the Charts Have Evolved Across Billboard's History: The Hot 100, Billboard 200 & More Gelbart, M. (2007). The invention of "folk music" and "art music": emerging categories from Ossian to Wagner . Cambridge, UK: Cambridge University Press. Filene, B. (2000). Romancing the folk: public memory & American roots music . Chapel Hill: University of North Carolina Press. Taruskin, R. (2005). The Oxford history of Western music . Oxford: Oxford University Press. Wald, E. (2009). How the Beatles destroyed rock 'n' roll: an alternative history of American popular music . Oxford: Oxford University Press. Sanjek, R. (1988). American popular music and its business: the first four hundred years . Vol. 2. New York: Oxford University Press. ARNOLD-FORSTER TOM. Dr. Billy Taylor, “America's Classical Music,” and the Role of the Jazz Ambassador . Journal of American Studies . 2017;51(1):117-139. doi:10.1017/S0021875815002662 A Celebration of Paul Whiteman's Historic Aeolian Hall Concert of February 12, 1924 Jessie Wright-Mendoza, When Jazz Was a Public Health Crisis 相关录音： Goodnight Irene , Hudie Ledbetter-Alan Lomax 词曲，Gordon Jenkins and his Orchestra and the Weavers 演绎, 1950 年 Decca 发行 Chattanoogie Shoe Shine Boy , Harry Stone-Jack Stapp 词曲，Red Foley 演唱，1950 年 Decca 发行 Maple Leaf Rag ，Scott Joplin 作曲和演奏，1899 年自动钢琴录音，Midi 复现 Livery Stable Blues ，Ray Lopez and Alcide Nunez 作曲，Original Dixieland Jass Band 演奏，1917 年 Victor 发行 Whispering ，John Schonberger 作曲，Paul Whiteman and His Ambassador Orchestera 演奏，1920 年 Victor 发行 Alexander’s Ragtime Band ，Irving Berlin 词曲，Arthur Collins and Byron G. Harlan 演唱，1911 年 Victor 发行 Kitten On The Keys ，Zez Confrey 作曲和演奏，1921 年自动钢琴录音，Midi 复现 Rhapsody In Blue ，George Gershwin 作曲，Ferdle Grofé 编曲，George Gershwin 钢琴，Paul Whiteman and His Concert Orchestra 乐队伴奏，1924 年 Victor 发行 Changes ，Walter Donaldson 词曲，Paul Whiteman and His Orchestra 演奏，其中人声 Bing Crosby，Al Rinker，Harry Barris，Jack Fulton，Charles Gaylord，Austin Young，短号 Bix Beiderbecke，1927 年 Victor 发行登场人物 talich: 美国流行文化史爱好者，《娱乐的逻辑》作者…

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Episode 12: 无人注意的大禁播（「为什么会有摇滚」系列之三） 37:10

5 years geleden37:10

37:10

对摇滚的诞生影响最大，但大部分人应该都不知道的一件事，就是表演艺术著作权管理组织 BMI 的诞生。 ASCAP 作为版权组织是怎么挣钱和分钱的；电台为什么需要 BMI 来对抗 ASCAP；美国广播史上的大禁播：优质 vs 廉价； BMI 的出现如何鼓励新音乐。《talich 闲侃》，有闲得聊，关注美国流行文化史，网址： https://talich.fm 相关链接主要参考文献 Ennis, P. H. (1992). The seventh stream: the emergence of rocknroll in American popular music. Wesleyan University Press. Sanjek, R. (1988). American popular music and its business: the first four hundred years . Vol. 3. New York: Oxford University Press. Sterling, C. H. & Kittross, J. M. (2002). Stay tuned: a history of American broadcasting (3rd ed). Mahwah, N.J.: Lawrence Erlbaum Associates. 登场人物 talich: 美国流行文化史爱好者，《娱乐的逻辑》作者…

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Episode 11: DJ 的黄金时代（「为什么会有摇滚」系列之二） 51:20

5 years geleden51:20

51:20

二战后 DJ 和独立电台的兴起。战后独立电台热；独立电台的商业模式； RCA 诉 Whiteman 案； DJ 创造的虚拟社区； DJ 如何制造金曲《talich 闲侃》，有闲得聊，关注美国流行文化史，网址： https://talich.fm 相关链接主要参考文献 Ennis, P. H. (1992). The seventh stream: the emergence of rocknroll in American popular music. Wesleyan University Press. Osgerby, B. (2001). Playboys in Paradise: Masculinity, Youth and Leisure-Style in Modern America . Berg Publishers. Brewster, B. & Broughton, F. (1999). Last night a DJ saved my life: the history of the disc jockey (1st American ed). New York: Grove Press. Cantor, L. (1992). Wheelin' on Beale: how WDIA-Memphis became the nation's first all-Black radio station and created the sound that changed America. New York: Pharos Books. Susan Douglas, Listening In: Radio and the American Imagination (Minneapolis: University of Minnesota Press, 2004) 相关录音： WDIA 在 1953 年出的宣传节目 B. B. King 关于 WDIA 的采访 Martin Block: Make Believe Ballroom, WABC New York, June 16, 1956 Franklin D Roosevelt 的第一次炉边谈话，March 12, 1933 Dewey Philips: Red Hot & Blue, WHBQ Memphis, 1952 Jocko Henderson, WOV 1280AM New York, 1957 Wolfman Jack 在《American Graffiti》里拍演他自己 Hunter Hancock Theme , Johnny Otis 词曲，演奏 Johnny Otis and his California Rhythm and Blues Caravan，Hunter Hancock 播音登场人物 talich: 美国流行文化史爱好者，《娱乐的逻辑》作者…

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Episode 10: 摇滚革了谁的命?（「为什么会有摇滚」系列之一） 1:01:00

5 years geleden1:01:00

1:01:00

开始一个新的系列：为什么会有摇滚。讨论 1950 年代摇滚乐（Rock & Roll）的诞生过程。在系列的第一集，我们聊聊摇滚出现以前美国流行音乐的生态与产业链，并试图回答一个问题：摇滚的出现为什么是二十世纪美国最重要的音乐事件？ 1954 年时独立音乐的产业链 vs 1936 年时流行音乐的产业链； Billboard 的榜单是干什么用的；摇滚之前的年代里，流行音乐是怎么营销的；流行歌 vs 流行舞：摇摆舞时代；唱片时代的声音革命《talich 闲侃》，有闲得聊，关注美国流行文化史，网址： https://talich.fm 相关链接主要参考文献 Whitburn, J. (1986). Joel Whitburn's Pop memories, 1890-1954: the history of American popular music : compiled from America's popular music charts 1890-1954. Menomonee Falls, Wis.: Record Research. （这本书现在似乎已经被拆成了 Pop Memories 1900-1940 与 Pop Hits Singles & Albums 1940-1954 两本） Billboard Magazine 1920 to 2016 Ennis, P. H. (1992). The seventh stream: the emergence of rocknroll in American popular music. Wesleyan University Press. Sanjek, R. (1988). American popular music and its business: the first four hundred years . Vol. 3. New York: Oxford University Press. Wald, E. (2009). How the Beatles destroyed rock 'n' roll: an alternative history of American popular music . Oxford: Oxford University Press. Zak, A. (2010). I don't sound like nobody: remaking music in 1950s America . Ann Arbor: University of Michigan Press. 相关歌曲: That's All Right ，Arthur Crudup 词曲、原唱，Elvisley 演唱，1954 年 Sun Records 发行 Pennies From Heaven ， Johnny Burke 词，Arthur Johnston 曲，Bing Crosby 演唱，1936 年 Decca Records 发行 After The Ball , Charles Harris 词曲, George Gaskin 演唱，1893 年 Edison Records 发行 Benny Goodman At the Palomar Ballroom, Los Angeles , 1935 年 8 月 22 日电台录音，节目中选曲为：Darktown Strutters' Ball，Shelton Brooks 作曲，1917 年出版。 Summertime ，选自民谣歌剧（folk opera）《Porgy and Bess》，DuBose Heyward，Ira Gershwin 词，George Gershwin 曲，Billie Holiday 演唱，1936 年 Vocalion Records 发行 Sing, Sing, Sing ，Louis Prima 作曲，Benny Goodman 和他的乐队演奏，1936 年 RCA Victor 发行人物简介 talich: 美国流行文化史爱好者，《娱乐的逻辑》作者…

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Episode 9: 小小镍币影院有啥可怕？ 50:43

6 years geleden50:43

50:43

这次聊美国史上的第一间电影院、镍币影院的兴起。镍币影院虽然是美国电影史上的过渡时期，但意义深远。它的出现不仅意味着现代电影生产发行体系的基本架构诞生，也带来了巨大的社会冲击，是整个美国文化生产消费体系的一次大重组。镍币影院是怎么回事质量与数量：《世界电影史》里没有提到的两件事镍币影院为什么兴起的这样快他们为什么害怕镍币影院电影史的几种读法《talich 闲侃》，有闲得聊，关注美国流行文化史，网址： https://talich.fm 相关链接主要参考文献克里斯汀·汤普森, 大卫·波德维尔著, 范倍译, (2014).《世界电影史（第二版）》，北京大学出版社. Musser, C. (1994). The emergence of cinema: the American screen to 1907 . Berkeley: University of California Press. Sanjek, R. (1988). American popular music and its business: the first four hundred years, Volume II: From 1790 to 1909 . New York: Oxford University Press. 主要影片: Porter, Edwin S. (1903), The great train robbery , Library of Congress 登场人物 talich: 美国流行文化史爱好者，《娱乐的逻辑》作者…

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