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Inhoud geleverd door Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.
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Better and Bested in “Who’s Afraid of Virginia Woolf?”

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Manage episode 352632758 series 2774930
Inhoud geleverd door Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

It’s a play full of contradictions, secrets, lies, and unspoken rules. It’s a play decidedly for adults, but about a child—an imaginary one, no less. It takes place on a college campus, but it is absent of students. And it’s about “fun and games” and “playing pretend,” but its games are harsh and shocking, and playing pretend involves vengeance and even murder. Wes & Erin discuss Mike Nichols’s 1966 film “Who’s Afraid of Virginia Woolf?”, adapted from Edward Albee’s 1962 play, and ask what it has to say about the nature of game and play itself, as well as what might be generative on the one hand or contraceptive and inhibiting on the other about our relationships with our spouses, our parents, our children, and our work.

For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.

This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.

Email advertising@airwavemedia.com to enquire about advertising on the podcast.

Follow: Twitter | Facebook | Website

  continue reading

110 afleveringen

Artwork
iconDelen
 
Manage episode 352632758 series 2774930
Inhoud geleverd door Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

It’s a play full of contradictions, secrets, lies, and unspoken rules. It’s a play decidedly for adults, but about a child—an imaginary one, no less. It takes place on a college campus, but it is absent of students. And it’s about “fun and games” and “playing pretend,” but its games are harsh and shocking, and playing pretend involves vengeance and even murder. Wes & Erin discuss Mike Nichols’s 1966 film “Who’s Afraid of Virginia Woolf?”, adapted from Edward Albee’s 1962 play, and ask what it has to say about the nature of game and play itself, as well as what might be generative on the one hand or contraceptive and inhibiting on the other about our relationships with our spouses, our parents, our children, and our work.

For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.

This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.

Email advertising@airwavemedia.com to enquire about advertising on the podcast.

Follow: Twitter | Facebook | Website

  continue reading

110 afleveringen

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