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Inhoud geleverd door Tyler Metz , Ian Hoke, Tyler Metz, and Ian Hoke. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Tyler Metz , Ian Hoke, Tyler Metz, and Ian Hoke of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.
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Radiohead Discography Audit

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Manage episode 311181841 series 3087264
Inhoud geleverd door Tyler Metz , Ian Hoke, Tyler Metz, and Ian Hoke. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Tyler Metz , Ian Hoke, Tyler Metz, and Ian Hoke of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

A review of Radiohead's Discography.

At some point in the early 21st century, Radiohead became something more than a band: they became a touchstone for everything that is fearless and adventurous in rock, inheriting the throne from David Bowie, Pink Floyd, and the Talking Heads. The latter group gave the band its name -- it's an album track on 1986's True Stories -- but Radiohead never sounded much like the Heads, nor did they take much from Bowie, apart from their willingness to experiment. Instead, they spliced Floyd's spaciness with U2's messianic arena-rock heft, bridging the gap with guitar skronks borrowed from the '80s American underground. Jonny Greenwood's jagged, brutal interjections on "Creep," the band's 1993 breakthrough hit, recalled the ugly noise of the Pixies and Nirvana, a sound that translated over the expanse of an ocean, but in the throes of the alternative rock explosion of the mid-'90s, Radiohead was the odd band out. America remained besotted with their homegrown sensations, so "Creep" was treated as a one-hit-wonder, and at home in England, they were seen as dour art-rock students lacking the glamour of neo-glam sensations Suede, and deliberately dodging the beery singalongs of Oasis.

  continue reading

94 afleveringen

Artwork
iconDelen
 
Manage episode 311181841 series 3087264
Inhoud geleverd door Tyler Metz , Ian Hoke, Tyler Metz, and Ian Hoke. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Tyler Metz , Ian Hoke, Tyler Metz, and Ian Hoke of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

A review of Radiohead's Discography.

At some point in the early 21st century, Radiohead became something more than a band: they became a touchstone for everything that is fearless and adventurous in rock, inheriting the throne from David Bowie, Pink Floyd, and the Talking Heads. The latter group gave the band its name -- it's an album track on 1986's True Stories -- but Radiohead never sounded much like the Heads, nor did they take much from Bowie, apart from their willingness to experiment. Instead, they spliced Floyd's spaciness with U2's messianic arena-rock heft, bridging the gap with guitar skronks borrowed from the '80s American underground. Jonny Greenwood's jagged, brutal interjections on "Creep," the band's 1993 breakthrough hit, recalled the ugly noise of the Pixies and Nirvana, a sound that translated over the expanse of an ocean, but in the throes of the alternative rock explosion of the mid-'90s, Radiohead was the odd band out. America remained besotted with their homegrown sensations, so "Creep" was treated as a one-hit-wonder, and at home in England, they were seen as dour art-rock students lacking the glamour of neo-glam sensations Suede, and deliberately dodging the beery singalongs of Oasis.

  continue reading

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