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Episode 8: The End Times Industrial Complex

 
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Manage episode 293667834 series 2932741
Inhoud geleverd door Christian Rightcast. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Christian Rightcast of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

Apocalyptic narratives have shaped Christian tradition for millennia, but growing demand for “standardized” Christian reading materials at the turn of the 20th century turned End Times theology into big business. Jeff and Kristin follow the rise of the Christian publishing and media industry, zeroing in on key “crossover” hits that transformed Dispensationalist theology into a pop culture powerhouse.

Core Reading

Cover art for the Jack Chick tract, "The Beast."
Cover art for The Beast, a 1966 tract published by controversial Fundamentalist artist Jack Chick.

Selected Excerpts

By investing early in premillennialism and dispensationalism, the Revell Company not only presented its books as means by which Christians could acquire the certainty they sought but also championed the therapeutic orientation of consumer capitalism… Like other commercial publishers, Revell and its authors argued that their books offered the assistance that consumers needed. “The only motive inspiring this small volume,” Moody explained in the preface to his book Heaven: Where It Is, Its Inhabitants, and How to Get There (1880), “is that souls may be helped.” This sales pitch helped Revell sell nearly 90,000 copies of the book within four years. Although dispensationalist literature might seem less straightforwardly therapeutic than books about heaven and “how to get there,” both genres of books invited consumers from across the spectrum of denominational attachments to treat their consumption as a means of achieving relief from uncertainty.

From Evangelicals Incorporated: Books and the Business of Religion in America, by Daniel Vaca

"Revell hit its stride with celebrity books, dating back to Dale Evans’s personal story Angel Aware (1953), about the death of her and husband Roy Rogers’s young daughter, and provocative titles such as Marabel Morgan’s Total Woman (1973), which suggested that housewives should greet their husbands wearing only Saran Wrap."

From “History of Revell Publishing”, by Cathy Lynn Grossman in Publishers Weekly, 2020

"The evangelical book industry flourished in the 1950s, organized by a new group called the Christian Booksellers Association (CBA) to serve the growing number of Americans who identified with the Christianity of Billy Graham.

There were about 300 evangelical retail stores in 1950. That grew to about 700 in 1965, about 1,850 in 1975, then more than 3,000 in 1985. By the mid-1990s, there were more than 7,000 such bookstores across the country, and Christian retail was a $3 billion business."

From “The Christian Book Industry Had Another Rough Year. Here’s Why They Are Holding Out Hope for the Next Chapter,” by Daniel Silliman in Christianity Today, 2019

The Late Great Planet Earth was an incredibly successful “crossover” book—one of the first texts to bridge the divide between religious and secular audiences. After Lindsey’s book sold a half million copies, Bantam picked up the rights and released a mass-market edition. While the text for the Zondervan and Bantam editions was identical, the Bantam edition had a different cover—one explicitly modeled on Erich von Däniken’s Chariots of the Gods, a popular speculative history of how aliens from outer space had visited earth in ancient times. The Bantam version was shelved with science fiction, and as Publishers Weekly noted, “next to books about the I Ching and Transcendental Meditation.”

“We are getting our books out there where the unbeliever action is,” trumpeted one evangelical publishing executive about these partnerships. Evangelical houses were happy about the larger audience for Biblical truth, and paperback publishers were thrilled to have the profits.

From “The Late Great Planet Earth Made the Apocalypse a Popular Concern”, by Erin A. Smith in Humanities, 2017

Side by side comparison of the "Late Great Planet Earth" and "Chariots of the Gods" book covers
When Bantam Books secured the rights to distribute The Late Great Planet Earth in mainstream bookstores, it redesigned the cover to mirror Chariots Of The Gods, another popular New Age book of the 1970s.

Works Mentioned

Cover art for The New World Order, The Illuminati, When Your Money Fails, and Man of Peace

Additional Articles

  continue reading

17 afleveringen

Artwork
iconDelen
 
Manage episode 293667834 series 2932741
Inhoud geleverd door Christian Rightcast. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Christian Rightcast of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

Apocalyptic narratives have shaped Christian tradition for millennia, but growing demand for “standardized” Christian reading materials at the turn of the 20th century turned End Times theology into big business. Jeff and Kristin follow the rise of the Christian publishing and media industry, zeroing in on key “crossover” hits that transformed Dispensationalist theology into a pop culture powerhouse.

Core Reading

Cover art for the Jack Chick tract, "The Beast."
Cover art for The Beast, a 1966 tract published by controversial Fundamentalist artist Jack Chick.

Selected Excerpts

By investing early in premillennialism and dispensationalism, the Revell Company not only presented its books as means by which Christians could acquire the certainty they sought but also championed the therapeutic orientation of consumer capitalism… Like other commercial publishers, Revell and its authors argued that their books offered the assistance that consumers needed. “The only motive inspiring this small volume,” Moody explained in the preface to his book Heaven: Where It Is, Its Inhabitants, and How to Get There (1880), “is that souls may be helped.” This sales pitch helped Revell sell nearly 90,000 copies of the book within four years. Although dispensationalist literature might seem less straightforwardly therapeutic than books about heaven and “how to get there,” both genres of books invited consumers from across the spectrum of denominational attachments to treat their consumption as a means of achieving relief from uncertainty.

From Evangelicals Incorporated: Books and the Business of Religion in America, by Daniel Vaca

"Revell hit its stride with celebrity books, dating back to Dale Evans’s personal story Angel Aware (1953), about the death of her and husband Roy Rogers’s young daughter, and provocative titles such as Marabel Morgan’s Total Woman (1973), which suggested that housewives should greet their husbands wearing only Saran Wrap."

From “History of Revell Publishing”, by Cathy Lynn Grossman in Publishers Weekly, 2020

"The evangelical book industry flourished in the 1950s, organized by a new group called the Christian Booksellers Association (CBA) to serve the growing number of Americans who identified with the Christianity of Billy Graham.

There were about 300 evangelical retail stores in 1950. That grew to about 700 in 1965, about 1,850 in 1975, then more than 3,000 in 1985. By the mid-1990s, there were more than 7,000 such bookstores across the country, and Christian retail was a $3 billion business."

From “The Christian Book Industry Had Another Rough Year. Here’s Why They Are Holding Out Hope for the Next Chapter,” by Daniel Silliman in Christianity Today, 2019

The Late Great Planet Earth was an incredibly successful “crossover” book—one of the first texts to bridge the divide between religious and secular audiences. After Lindsey’s book sold a half million copies, Bantam picked up the rights and released a mass-market edition. While the text for the Zondervan and Bantam editions was identical, the Bantam edition had a different cover—one explicitly modeled on Erich von Däniken’s Chariots of the Gods, a popular speculative history of how aliens from outer space had visited earth in ancient times. The Bantam version was shelved with science fiction, and as Publishers Weekly noted, “next to books about the I Ching and Transcendental Meditation.”

“We are getting our books out there where the unbeliever action is,” trumpeted one evangelical publishing executive about these partnerships. Evangelical houses were happy about the larger audience for Biblical truth, and paperback publishers were thrilled to have the profits.

From “The Late Great Planet Earth Made the Apocalypse a Popular Concern”, by Erin A. Smith in Humanities, 2017

Side by side comparison of the "Late Great Planet Earth" and "Chariots of the Gods" book covers
When Bantam Books secured the rights to distribute The Late Great Planet Earth in mainstream bookstores, it redesigned the cover to mirror Chariots Of The Gods, another popular New Age book of the 1970s.

Works Mentioned

Cover art for The New World Order, The Illuminati, When Your Money Fails, and Man of Peace

Additional Articles

  continue reading

17 afleveringen

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