The staples of printing self-published music

Scoring Notes

It’s easier than ever to publish your own music — but that doesn’t mean it’s a simple proposition. Even though a lot of music is made available digitally, there is still a significant demand for printed material. The logistics of printing physical copies and shipping them to customers can be tricky to navigate. It’s important to not be “toner-deaf” to the challenges that come along with the opportunities you “drum” up by making your music available.

In this conversation with Garrett Breeze of the Selling Sheet Music podcast, Philip Rothman and Garrett first discuss the ways in which you can work with services that will handle the printing and fulfillment for you. We also talk about what’s needed if you want to actually set up your own operation, and finally review some tools that can help you prepare your music for both specialty print services and conventional copy shops, so that you can find a smooth path towards getting the material out and avoid any paper jams along the way.

More from Scoring Notes:

• Muse Group acquires Hal Leonard
• Chronology of a perfect music printing job
• Print perfect
• Name Mangler and Moom productivity apps
• On the margins: Headers, footers, and footnotes in Sibelius
• Smarter title pages for parts in Sibelius
• Smarter title pages for parts in Finale
• Working with master pages in Dorico, part 2
• How to fix a common page numbering problem in Sibelius
• PDF-MusicBinder and PDF-BatchStitch utilities for music printing
• Quickly scale many PDFs with PDF-BatchScale
• Make booklets and 2-ups with PDF-BatchBooklet
• File renaming and PDF batch utilities