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Inhoud geleverd door Scoring Notes. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Scoring Notes of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.
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From cylinders to streaming

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Manage episode 459277500 series 2773523
Inhoud geleverd door Scoring Notes. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Scoring Notes of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

This episode was written by Andrew Anderson.

We’re very pleased to bring you this episode, and more to come in the future, thanks to our friends at Twenty Thousand Hertz, a podcast that tells the stories behind the world’s most recognizable and interesting sounds.

The history of recorded sound stretches back over a hundred and fifty years, starting with a device that could “record” a voice on a piece of paper. Today, we can enjoy lossless streaming anywhere we go… but getting here wasn’t easy. In this episode, our friends at Twenty Thousand Hertz worked with Qobuz, the high quality music platform, to chart the history of audio mediums, from cylinders made of tin foil and wax, to vinyl, 8-track, cassette, CDs, and mp3s. Along the way, they explore the innovations and quirks of each format, with memories sent in from their listeners and the 20K team. Featuring Adam Tovell from the British Library Sound Archive.

Then, stay tuned afterwards as David MacDonald and Philip Rothman tie all of this “related technology” back to the “music notation” portion of the Scoring Notes mission, and explore how music notation and recorded sound are complementary sides of what makes a song a song.

Further reading:

What Is a Song?, by Ben Sisario from The New York Times, about the copyright questions raised in the lawsuit involving Marvin Gaye’s “Let’s Get It On” and Ed Sheeran’s song “Thinking Out Loud”.

Further listening:

The [COMPRESSED] history of mastering

Music featured in this episode:

Original music by Wesley Slover Steppin Intro by Sound of Picture Paraphrase on Sleeping Beauty by Paul Pabst Greylock by Skittle Lonely Summertime by The Rockin’ Berries Ding Dong by Niklas Gabrielsson Bebop Blues by Vendla Living Memories by Golden Age Radio Gin Boheme by Vermouth Forever in Love With a Ghost by PÄR You Oughta Know by Rockin’ For Decades Back in Time by They Fall Pink Gloves by J.F. Gloss Dreamweavers by Sven Lindvall & Daniel Fridell No One Knows But Me by Torii Wolf Tour 505 by Epocha Blipper by Sound of Picture October by UTAH Do You by KENA

Twenty Thousand Hertz is produced out of the studios of Defacto Sound, and hosted by Dallas Taylor.

Art by Divya Tak.

  continue reading

142 afleveringen

Artwork

From cylinders to streaming

Scoring Notes

11 subscribers

published

iconDelen
 
Manage episode 459277500 series 2773523
Inhoud geleverd door Scoring Notes. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Scoring Notes of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

This episode was written by Andrew Anderson.

We’re very pleased to bring you this episode, and more to come in the future, thanks to our friends at Twenty Thousand Hertz, a podcast that tells the stories behind the world’s most recognizable and interesting sounds.

The history of recorded sound stretches back over a hundred and fifty years, starting with a device that could “record” a voice on a piece of paper. Today, we can enjoy lossless streaming anywhere we go… but getting here wasn’t easy. In this episode, our friends at Twenty Thousand Hertz worked with Qobuz, the high quality music platform, to chart the history of audio mediums, from cylinders made of tin foil and wax, to vinyl, 8-track, cassette, CDs, and mp3s. Along the way, they explore the innovations and quirks of each format, with memories sent in from their listeners and the 20K team. Featuring Adam Tovell from the British Library Sound Archive.

Then, stay tuned afterwards as David MacDonald and Philip Rothman tie all of this “related technology” back to the “music notation” portion of the Scoring Notes mission, and explore how music notation and recorded sound are complementary sides of what makes a song a song.

Further reading:

What Is a Song?, by Ben Sisario from The New York Times, about the copyright questions raised in the lawsuit involving Marvin Gaye’s “Let’s Get It On” and Ed Sheeran’s song “Thinking Out Loud”.

Further listening:

The [COMPRESSED] history of mastering

Music featured in this episode:

Original music by Wesley Slover Steppin Intro by Sound of Picture Paraphrase on Sleeping Beauty by Paul Pabst Greylock by Skittle Lonely Summertime by The Rockin’ Berries Ding Dong by Niklas Gabrielsson Bebop Blues by Vendla Living Memories by Golden Age Radio Gin Boheme by Vermouth Forever in Love With a Ghost by PÄR You Oughta Know by Rockin’ For Decades Back in Time by They Fall Pink Gloves by J.F. Gloss Dreamweavers by Sven Lindvall & Daniel Fridell No One Knows But Me by Torii Wolf Tour 505 by Epocha Blipper by Sound of Picture October by UTAH Do You by KENA

Twenty Thousand Hertz is produced out of the studios of Defacto Sound, and hosted by Dallas Taylor.

Art by Divya Tak.

  continue reading

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