Ga offline met de app Player FM !
Hamilton
Manage episode 431271171 series 3431778
Hamilton: the musical that launched a thousand lip-biting memes. Almost a decade ago, Lin Manuel Miranda’s race-bending rap-sical took broadway by storm and rose to unprecedented levels of success, amassing a dedicated, almost fanatical global fanbase. Yet with ticket prices starting at $400 a pop, the vast majority of these fans had never actually seen the show. Even stranger, in 2016 you could throw a rock and hit about three Hamilton fans, but today it seems like a title no one wants to claim. In this episode, Hannah, Maia, and their friend and long-time collaborator Sara Harvey, go mask-off to discuss Hamilton as it relates to their love of theatre. Is Hamilton a transgressive emulation or veneration of the founding fathers? How much of the show’s backlash is about its real historical flaws, and how much is a symptom of our irony-poisoning? And how much does theatre lose when it’s spliced up and broadcasted on the internet? Tangents include: the “boys and girls can’t share a room law”, Hannah playing the lottery, and a never-before-seen look at the inception of The Crucible: The Musical.
Support us on Patreon and get juicy bonus content:
https://www.patreon.com/rehashpodcast
Intro and outro song by our talented friend Ian Mills:
https://linktr.ee/ianmillsmusic
Sources:
Claire Bond Potter, “Safe in the Nation We’ve Made” Staging Hamilton on Social Media” in Historians on Hamilton: How a Blockbuster Musical Is Restaging America's Past, Rutgers (2018).
H. W. Brands, “Founders Chic” The Atlantic (2003).
EJ Dickson, “Why Gen Z Turned on Lin-Manuel Miranda” Rolling Stone (2020).
Elissa Harbert, “Hamilton and History Musicals” American Music, Vol. 36 (4) Hamilton (2018).
Andy Lavender, “The Internet, Theatre and Time: transmediating the theatron” Contemporary Theatre Review (2017).
Marvin McAllister, “Toward a More Perfect Hamilton” Journal of the Early Republic, Vol. 3 (2) (2017).
Erika Milvy, “Hamilton's teenage superfans: 'This is, like, crazy cool'” The Guardian (2016).
Aja Romano, “Hamilton is fanfic, and its historical critics are totally missing the point” Vox (2016).
49 afleveringen
Manage episode 431271171 series 3431778
Hamilton: the musical that launched a thousand lip-biting memes. Almost a decade ago, Lin Manuel Miranda’s race-bending rap-sical took broadway by storm and rose to unprecedented levels of success, amassing a dedicated, almost fanatical global fanbase. Yet with ticket prices starting at $400 a pop, the vast majority of these fans had never actually seen the show. Even stranger, in 2016 you could throw a rock and hit about three Hamilton fans, but today it seems like a title no one wants to claim. In this episode, Hannah, Maia, and their friend and long-time collaborator Sara Harvey, go mask-off to discuss Hamilton as it relates to their love of theatre. Is Hamilton a transgressive emulation or veneration of the founding fathers? How much of the show’s backlash is about its real historical flaws, and how much is a symptom of our irony-poisoning? And how much does theatre lose when it’s spliced up and broadcasted on the internet? Tangents include: the “boys and girls can’t share a room law”, Hannah playing the lottery, and a never-before-seen look at the inception of The Crucible: The Musical.
Support us on Patreon and get juicy bonus content:
https://www.patreon.com/rehashpodcast
Intro and outro song by our talented friend Ian Mills:
https://linktr.ee/ianmillsmusic
Sources:
Claire Bond Potter, “Safe in the Nation We’ve Made” Staging Hamilton on Social Media” in Historians on Hamilton: How a Blockbuster Musical Is Restaging America's Past, Rutgers (2018).
H. W. Brands, “Founders Chic” The Atlantic (2003).
EJ Dickson, “Why Gen Z Turned on Lin-Manuel Miranda” Rolling Stone (2020).
Elissa Harbert, “Hamilton and History Musicals” American Music, Vol. 36 (4) Hamilton (2018).
Andy Lavender, “The Internet, Theatre and Time: transmediating the theatron” Contemporary Theatre Review (2017).
Marvin McAllister, “Toward a More Perfect Hamilton” Journal of the Early Republic, Vol. 3 (2) (2017).
Erika Milvy, “Hamilton's teenage superfans: 'This is, like, crazy cool'” The Guardian (2016).
Aja Romano, “Hamilton is fanfic, and its historical critics are totally missing the point” Vox (2016).
49 afleveringen
Alle afleveringen
×Welkom op Player FM!
Player FM scant het web op podcasts van hoge kwaliteit waarvan u nu kunt genieten. Het is de beste podcast-app en werkt op Android, iPhone en internet. Aanmelden om abonnementen op verschillende apparaten te synchroniseren.