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Inhoud geleverd door New Models. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door New Models of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.
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Preview | NM Special Report: Ye and the Future of Content w/ Dean Kissick

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Manage episode 406212447 series 2955554
Inhoud geleverd door New Models. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door New Models of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.
Full Ep released to subscribers: 08 Mar 2024 | To join New Models, find us via https://patreon.com/newmodels & https://newmodels.substack.com // One of the most compelling examples, so far, of media made using AI content generation is the video that artist Jon Rafman created for Kanye West’s new album with Ty Dolla $ign, "Vultures." Rather than aiming for maximum realism in these clips, Rafman leans into visual incoherence, moments where the software experiences a collapse of distinction. This, coupled with prompts that could have gone something like “gang members in balaclavas imploding like the Pruitt-Igoe housing project demolition 1971” with style tags “cult horror, VHS, America 1986, Norwegian black metal” meant the video also conveyed a sense of what we thought might be a Witch House revival. So we called up cultural savant and 2010s historian Dean Kissick to discuss. But Witch House did not remain the central thread of our conversation. Instead, all paths lead back to something more fundamental—the struggle for iconicity in a time of infinitely available content. // For more: https://twitter.com/deankissick (X) // NOTE: Dean will be helping New Models resident Patrick McGraw to stage a very special Heavy Traffic reading at EARTH, 29 Orchard Street, New York City, on Easter Sunday, March 31st.
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102 afleveringen

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iconDelen
 
Manage episode 406212447 series 2955554
Inhoud geleverd door New Models. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door New Models of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.
Full Ep released to subscribers: 08 Mar 2024 | To join New Models, find us via https://patreon.com/newmodels & https://newmodels.substack.com // One of the most compelling examples, so far, of media made using AI content generation is the video that artist Jon Rafman created for Kanye West’s new album with Ty Dolla $ign, "Vultures." Rather than aiming for maximum realism in these clips, Rafman leans into visual incoherence, moments where the software experiences a collapse of distinction. This, coupled with prompts that could have gone something like “gang members in balaclavas imploding like the Pruitt-Igoe housing project demolition 1971” with style tags “cult horror, VHS, America 1986, Norwegian black metal” meant the video also conveyed a sense of what we thought might be a Witch House revival. So we called up cultural savant and 2010s historian Dean Kissick to discuss. But Witch House did not remain the central thread of our conversation. Instead, all paths lead back to something more fundamental—the struggle for iconicity in a time of infinitely available content. // For more: https://twitter.com/deankissick (X) // NOTE: Dean will be helping New Models resident Patrick McGraw to stage a very special Heavy Traffic reading at EARTH, 29 Orchard Street, New York City, on Easter Sunday, March 31st.
  continue reading

102 afleveringen

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