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Inhoud geleverd door longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.
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Barry Dean: There’s More to Life than a Number One

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Manage episode 408110963 series 3521512
Inhoud geleverd door longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

I speak with hit songwriter and producer Barry Dean, who, with four #1 hits, many singles, and countless cuts, somehow manages to act like an earnest kid grateful for the chance to take his shot. His songs have been recorded by Reba McEntire, Tim McGraw, Maren Morris, Alison Krauss, Jon Pardi, Ingrid Michaelson, Brothers Osbourne, and many, many others. In one of the podcast’s most illuminating guests to date, Barry discusses his unusual path to success — he didn’t move to Nashville until he was 38 — and how his approach to collaboration has evolved through the years. He also digs into a couple of the details for some of his best known co-writes, like “Daydrinking” (Little Big Town) and “God and Country Music” (George Straight), and is quick to sing the praises of his frequent collaborators — Lori McKenna, Luke Laird, and Natalie Hemby, among others. This intro doesn’t do justice to the caliber of the conversation we had. Barry is full of insight, wisdom and humility. You just gotta listen.


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36 afleveringen

Artwork
iconDelen
 
Manage episode 408110963 series 3521512
Inhoud geleverd door longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

I speak with hit songwriter and producer Barry Dean, who, with four #1 hits, many singles, and countless cuts, somehow manages to act like an earnest kid grateful for the chance to take his shot. His songs have been recorded by Reba McEntire, Tim McGraw, Maren Morris, Alison Krauss, Jon Pardi, Ingrid Michaelson, Brothers Osbourne, and many, many others. In one of the podcast’s most illuminating guests to date, Barry discusses his unusual path to success — he didn’t move to Nashville until he was 38 — and how his approach to collaboration has evolved through the years. He also digs into a couple of the details for some of his best known co-writes, like “Daydrinking” (Little Big Town) and “God and Country Music” (George Straight), and is quick to sing the praises of his frequent collaborators — Lori McKenna, Luke Laird, and Natalie Hemby, among others. This intro doesn’t do justice to the caliber of the conversation we had. Barry is full of insight, wisdom and humility. You just gotta listen.


Get full access to The Morse Code at korby.substack.com/subscribe
  continue reading

36 afleveringen

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