Artwork

Inhoud geleverd door Ryan Leack & Ellen Wayland-Smith, Ryan Leack, and Ellen Wayland-Smith. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Ryan Leack & Ellen Wayland-Smith, Ryan Leack, and Ellen Wayland-Smith of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.
Player FM - Podcast-app
Ga offline met de app Player FM !

EP8: Jonathan Alexander: Writing and Desire

1:00:05
 
Delen
 

Manage episode 338905122 series 3270223
Inhoud geleverd door Ryan Leack & Ellen Wayland-Smith, Ryan Leack, and Ellen Wayland-Smith. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Ryan Leack & Ellen Wayland-Smith, Ryan Leack, and Ellen Wayland-Smith of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

Jonathan Alexander, Chancellor's Professor of English at the University of California, Irvine, director of the Humanities Core Program, and author, co-author, or co-editor of 22 books, discusses his new book, Writing and Desire: Queer Ways of Composing (University of Pittsburgh Press, 2023). In this episode we discuss both the introduction to his book and the broader project. As part of the 3rd annual “The Big Rhetorical Podcast Carnival,” this episode speaks to the Carnival theme, “Rhetoric: Places and Spaces In and Beyond the Academy.” Challenging both modes of writing and desire, Alexander conceives of writing itself as desire in the form of an ongoing opening out onto possibilities. In this way, writing, especially as figured in rhetoric and composition pedagogy, transcends narrower argumentative and persuasive modes. Furthermore, desire is not conceived of as a lack to be fulfilled, or as an essentialized need to be unleashed, but rather as a fundamental openness, inclusive of critical reflection that makes different conditions and futures possible. Exploring the histories and modalities of writing and desire, we discuss both as unending processes of thinking and being otherwise in and beyond the classroom.
Attendees
Jonathan Alexander
Ryan Leack
Selected References
Aristotle
Audre Lorde
Andrea Lunsford, Let’s Talk… A Pocket Rhetoric (2020)
Cheryl Glenn, Unspoken (2004)
Emmanuel Levinas, Totality and Infinity (1961)
Félix Guattari
Friedrich Nietzsche, The Will to Power (1901)
G. F. W. Hegel
Gilles Deleuze, “Desire and Pleasure” (1977)
Glenn and Ratcliffe, Silence and Listening as Rhetorical Arts (2011)
Gottschalk Druschke and Rivers, “Rhetorical Drift” (2022)
Jean Baudrillard, Simulacra and Simulation (1981)
Jacques Lacan
James Crosswhite, Deep Rhetoric (2012)
Karen Barad, Meeting the Universe Halfway (2007)
Krista Ratcliffe, Rhetorical Listening (2005)
Linda Brodkey
Marilyn Cooper, The Animal Who Writes (2019)
Mary Louise Pratt
Massumi, Parables for the Virtual (2002)
Miguel Abensour
Plato
Slavoj Žižek, The Year of Dreaming Dangerously (2011)
Socrates
Victor Vitanza
Notable Quotes from Jonathan
“What if we understand writing as . . . less driven by thesis and more driven by exploration? What if we asked students to think about writing as, well, I’m not starting with something that I’m going to try to convince my readers I know. I’m going to start, like many wonderful writers do, with a question and a recognition of what it is that I don’t know, and then allow the writing to serve as the very modality of thought and of feeling toward insight, toward the generation of knowing.”
“Maybe part of the political task is not to liberate our particular desires, but instead to understand how they have already been shaped and formed, and ask ourselves the critical questions. Are we okay with that? Is this flow of desire the way that desires within us have been formed and set down in certain pathways? Are we satisfied with that? Is that appropriate? Is it ethically sustainable? Is it ecologically sustainable?”
“I speak a lot in the first part of the book about connection, about the movement of self toward other, not with an anticipation that that other will fulfill or will provide for a lack, but that that other will excite, will surprise, will perhaps open up vistas, possibilities that had not otherwise been understood, or seen, or felt, or experienced. And it seems to me that that’s really a way to understand what writing is.”

  continue reading

11 afleveringen

Artwork
iconDelen
 
Manage episode 338905122 series 3270223
Inhoud geleverd door Ryan Leack & Ellen Wayland-Smith, Ryan Leack, and Ellen Wayland-Smith. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Ryan Leack & Ellen Wayland-Smith, Ryan Leack, and Ellen Wayland-Smith of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

Jonathan Alexander, Chancellor's Professor of English at the University of California, Irvine, director of the Humanities Core Program, and author, co-author, or co-editor of 22 books, discusses his new book, Writing and Desire: Queer Ways of Composing (University of Pittsburgh Press, 2023). In this episode we discuss both the introduction to his book and the broader project. As part of the 3rd annual “The Big Rhetorical Podcast Carnival,” this episode speaks to the Carnival theme, “Rhetoric: Places and Spaces In and Beyond the Academy.” Challenging both modes of writing and desire, Alexander conceives of writing itself as desire in the form of an ongoing opening out onto possibilities. In this way, writing, especially as figured in rhetoric and composition pedagogy, transcends narrower argumentative and persuasive modes. Furthermore, desire is not conceived of as a lack to be fulfilled, or as an essentialized need to be unleashed, but rather as a fundamental openness, inclusive of critical reflection that makes different conditions and futures possible. Exploring the histories and modalities of writing and desire, we discuss both as unending processes of thinking and being otherwise in and beyond the classroom.
Attendees
Jonathan Alexander
Ryan Leack
Selected References
Aristotle
Audre Lorde
Andrea Lunsford, Let’s Talk… A Pocket Rhetoric (2020)
Cheryl Glenn, Unspoken (2004)
Emmanuel Levinas, Totality and Infinity (1961)
Félix Guattari
Friedrich Nietzsche, The Will to Power (1901)
G. F. W. Hegel
Gilles Deleuze, “Desire and Pleasure” (1977)
Glenn and Ratcliffe, Silence and Listening as Rhetorical Arts (2011)
Gottschalk Druschke and Rivers, “Rhetorical Drift” (2022)
Jean Baudrillard, Simulacra and Simulation (1981)
Jacques Lacan
James Crosswhite, Deep Rhetoric (2012)
Karen Barad, Meeting the Universe Halfway (2007)
Krista Ratcliffe, Rhetorical Listening (2005)
Linda Brodkey
Marilyn Cooper, The Animal Who Writes (2019)
Mary Louise Pratt
Massumi, Parables for the Virtual (2002)
Miguel Abensour
Plato
Slavoj Žižek, The Year of Dreaming Dangerously (2011)
Socrates
Victor Vitanza
Notable Quotes from Jonathan
“What if we understand writing as . . . less driven by thesis and more driven by exploration? What if we asked students to think about writing as, well, I’m not starting with something that I’m going to try to convince my readers I know. I’m going to start, like many wonderful writers do, with a question and a recognition of what it is that I don’t know, and then allow the writing to serve as the very modality of thought and of feeling toward insight, toward the generation of knowing.”
“Maybe part of the political task is not to liberate our particular desires, but instead to understand how they have already been shaped and formed, and ask ourselves the critical questions. Are we okay with that? Is this flow of desire the way that desires within us have been formed and set down in certain pathways? Are we satisfied with that? Is that appropriate? Is it ethically sustainable? Is it ecologically sustainable?”
“I speak a lot in the first part of the book about connection, about the movement of self toward other, not with an anticipation that that other will fulfill or will provide for a lack, but that that other will excite, will surprise, will perhaps open up vistas, possibilities that had not otherwise been understood, or seen, or felt, or experienced. And it seems to me that that’s really a way to understand what writing is.”

  continue reading

11 afleveringen

Alla avsnitt

×
 
Loading …

Welkom op Player FM!

Player FM scant het web op podcasts van hoge kwaliteit waarvan u nu kunt genieten. Het is de beste podcast-app en werkt op Android, iPhone en internet. Aanmelden om abonnementen op verschillende apparaten te synchroniseren.

 

Korte handleiding