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Inhoud geleverd door Nancy Fulton: Writer / Producer and Nancy Fulton. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Nancy Fulton: Writer / Producer and Nancy Fulton of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.
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Interview: Working with a Professional Film Editor Featuring Larry Jordan (FALLEN, NYPD BLUE, CSI MIAMI)

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Manage episode 199491540 series 1911753
Inhoud geleverd door Nancy Fulton: Writer / Producer and Nancy Fulton. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Nancy Fulton: Writer / Producer and Nancy Fulton of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

Larry Jordan has amassed more than 45 professional credits, working on successful films such as Fallen, Assassins, Deuce Bigelow: Male Gigolo and television series including CSI: Miami and NYPD Blue. . Larry has worked with many of the top creatives at the world’s largest entertainment companies, including Time Warner, Sony, Fox, MGM, HBO, Netflix and Disney. Larry recently Master the Workflow (www.MasterTheWorkflow.com), a game-changing online course that teaches the practicalities of a career in film editing to a new generation of up and coming filmmakers and professional film editors.

Topics addressed in this interview include:

  • Why a professional editor is key to the success of an independent feature film.
  • When in the process of development/pre-production producers should start looking for their film editor.
  • How to foster a productive, streamlined, relationship between DP, Director, and Editor
  • The relationship between Film Editors and Post Production Supervisors
  • Collecting, storing, protecting, and editing digital images in a 4K+ world
  • What to look for when assessing film editors for your feature
  • Why some indie filmmakers elect to edit their own productions and how to do it well

Remember you can find more support for your work at www.EntertainmentIndustryEvents.com.


Music in this Episode was licensed for commercial use from Pond5.com.

  continue reading

17 afleveringen

Artwork
iconDelen
 
Manage episode 199491540 series 1911753
Inhoud geleverd door Nancy Fulton: Writer / Producer and Nancy Fulton. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Nancy Fulton: Writer / Producer and Nancy Fulton of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

Larry Jordan has amassed more than 45 professional credits, working on successful films such as Fallen, Assassins, Deuce Bigelow: Male Gigolo and television series including CSI: Miami and NYPD Blue. . Larry has worked with many of the top creatives at the world’s largest entertainment companies, including Time Warner, Sony, Fox, MGM, HBO, Netflix and Disney. Larry recently Master the Workflow (www.MasterTheWorkflow.com), a game-changing online course that teaches the practicalities of a career in film editing to a new generation of up and coming filmmakers and professional film editors.

Topics addressed in this interview include:

  • Why a professional editor is key to the success of an independent feature film.
  • When in the process of development/pre-production producers should start looking for their film editor.
  • How to foster a productive, streamlined, relationship between DP, Director, and Editor
  • The relationship between Film Editors and Post Production Supervisors
  • Collecting, storing, protecting, and editing digital images in a 4K+ world
  • What to look for when assessing film editors for your feature
  • Why some indie filmmakers elect to edit their own productions and how to do it well

Remember you can find more support for your work at www.EntertainmentIndustryEvents.com.


Music in this Episode was licensed for commercial use from Pond5.com.

  continue reading

17 afleveringen

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