Artwork

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119: Art & Artifice Part I: The Long Leash

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Inhoud geleverd door Ellis Tucci. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Ellis Tucci of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

Episode 119: Part 1 of 2. Throughout the 1950s, the CIA, through a number of secret fronts, provided funding and publicity for abstract modern art in the United States. Jackson Pollock and Mark Rothko became arrows in the Cold War quiver, as the Agency turned them, and scores of other modern artists into unwitting agents of American propaganda. How and why did the CIA accomplish this, and what does it mean for the relationship between modernism and politics?

Twitter: Link

Patreon: Link

Shirts and more: Link

Sources and Further Reading

How MoMA and the CIA Conspired to Use Unwitting Artists to Promote American Propaganda During the Cold War: Link

Art For Art’s Sake: Link

Modern art was CIA 'weapon': Link

How the CIA Secretly Used Jackson Pollock to Fight the Cold War: Link

The New American Painting, 1959: Link

The new American painting, as shown in eight European countries, 1958-1959: Link

An Era-Defining 1930s Mural of American Excess and Industry Is Revived: Link

Dickstein, Morris. Dancing in the dark: A cultural history of the Great Depression. WW Norton & Company, 2009.

Alfred Barr, ‘Introduction’, in The New American Painting, 1959: Link

The CIA and the Cultural Cold War Revisited: Link

  continue reading

102 afleveringen

Artwork
iconDelen
 

Fetch error

Hmmm there seems to be a problem fetching this series right now. Last successful fetch was on December 08, 2023 05:12 (11M ago)

What now? This series will be checked again in the next day. If you believe it should be working, please verify the publisher's feed link below is valid and includes actual episode links. You can contact support to request the feed be immediately fetched.

Manage episode 304260139 series 2273813
Inhoud geleverd door Ellis Tucci. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Ellis Tucci of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

Episode 119: Part 1 of 2. Throughout the 1950s, the CIA, through a number of secret fronts, provided funding and publicity for abstract modern art in the United States. Jackson Pollock and Mark Rothko became arrows in the Cold War quiver, as the Agency turned them, and scores of other modern artists into unwitting agents of American propaganda. How and why did the CIA accomplish this, and what does it mean for the relationship between modernism and politics?

Twitter: Link

Patreon: Link

Shirts and more: Link

Sources and Further Reading

How MoMA and the CIA Conspired to Use Unwitting Artists to Promote American Propaganda During the Cold War: Link

Art For Art’s Sake: Link

Modern art was CIA 'weapon': Link

How the CIA Secretly Used Jackson Pollock to Fight the Cold War: Link

The New American Painting, 1959: Link

The new American painting, as shown in eight European countries, 1958-1959: Link

An Era-Defining 1930s Mural of American Excess and Industry Is Revived: Link

Dickstein, Morris. Dancing in the dark: A cultural history of the Great Depression. WW Norton & Company, 2009.

Alfred Barr, ‘Introduction’, in The New American Painting, 1959: Link

The CIA and the Cultural Cold War Revisited: Link

  continue reading

102 afleveringen

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