In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Overeenkomstig met Fat Guys Network
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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Discover movies you may have missed and be warned about others you should. Hosts Anderson Cowan (Loveline) and Bryan Bishop (The Adam Carolla Show) hash out their contrasting film tastes in the form of weekly Top 5 lists and recent screening reviews of both new and old titles. With numerous recommendations each episode, The Film Vault is entertainment about entertainment and as a result is a show that keeps on giving.
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continue reading
Since 2010, the We Hate Movies podcast has been loudly celebrating and tearing apart movies from across the spectrum: from forgotten '80s actioners and insane romantic comedies of the '90s, to the early CGI blockbusters of the aughts and the hyper-nostalgic franchises of the 2010s and today. Every week, comedians Andrew Jupin, Stephen Sajdak, Eric Szyszka, and Chris Cabin pick a movie from the near-past to discuss and joke around about in all its positive and negative glory.
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Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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America's premier investigative documentary series since 1983. We answer only to you. FRONTLINE presents audio versions of select full-length episodes for listening on the go. Want more full-length FRONTLINE Audiocasts? Please leave a review and let us know what you think.
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A weekly boxing show from Sky Sports that goes "Toe2Toe" with the biggest names in the fight game.
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“Bad Boys: Ride or Die” Movie Review
Manage episode 422440460 series 10748
Inhoud geleverd door Fat Guys Network. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Fat Guys Network of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.
Rated R
Opens: June 7, 2024
Kevin says Bad Boys: Ride or Die kinda sucks!
Will Smith and Martin Lawrence are back as wise-cracking Miami detectives in a new BAD BOYS movie.
The story follows the buddy cop duo facing midlife crises at home and getting framed as cartel operatives.
Fans of the BAD BOYS movies should enjoy this because it has all the expected elements: from explosive action and dripping machismo to sports car product placement and drawn-out comedic moments. I suppose that’s what you get with a generation of filmmakers who grew up on a diet of Michael Bay movies.
The problem with this film is its utter lack of originality. I know buddy cop films rely on formula, but there wasn’t even an attempt to put an original spin on things. We are left with a cliché smoothie of a plot interspersed with out-of-place comedy where Martin Lawrence seems to be auditioning for a new sit-com.
Everything from the worn-out dialogue tropes to Will Smith’s Tommy Wisseau dye job makes this movie feel like a relic of the 90s that should be called BAD MIDDLE-AGED GUYS.
BAD BOYS: RIDE OR DIE gets two Oscar slaps out of five. I’m Kevin Carr, and that’s the way I see it.
Download this Review
Email the Show
Follow the show on Twitter (@FGATM)
Follow Kevin on Twitter (@kevincarr)
54 afleveringen
Delen
Manage episode 422440460 series 10748
Inhoud geleverd door Fat Guys Network. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Fat Guys Network of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.
Rated R
Opens: June 7, 2024
Kevin says Bad Boys: Ride or Die kinda sucks!
Will Smith and Martin Lawrence are back as wise-cracking Miami detectives in a new BAD BOYS movie.
The story follows the buddy cop duo facing midlife crises at home and getting framed as cartel operatives.
Fans of the BAD BOYS movies should enjoy this because it has all the expected elements: from explosive action and dripping machismo to sports car product placement and drawn-out comedic moments. I suppose that’s what you get with a generation of filmmakers who grew up on a diet of Michael Bay movies.
The problem with this film is its utter lack of originality. I know buddy cop films rely on formula, but there wasn’t even an attempt to put an original spin on things. We are left with a cliché smoothie of a plot interspersed with out-of-place comedy where Martin Lawrence seems to be auditioning for a new sit-com.
Everything from the worn-out dialogue tropes to Will Smith’s Tommy Wisseau dye job makes this movie feel like a relic of the 90s that should be called BAD MIDDLE-AGED GUYS.
BAD BOYS: RIDE OR DIE gets two Oscar slaps out of five. I’m Kevin Carr, and that’s the way I see it.
Download this Review
Email the Show
Follow the show on Twitter (@FGATM)
Follow Kevin on Twitter (@kevincarr)
54 afleveringen
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Overeenkomstig met Fat Guys Network
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
…
continue reading
Are you afraid to be alone with your own thoughts? Would you rather hear stories and conversations from three idiots stumbling through womanhood? Well, you’re in the right place! From the minds and mouths of Keltie Knight, Jac Vanek, and Becca Tobin, the LADYGANG podcast intends to make women feel less alone. Each week the ladies welcome celebrity guests, experts, or chat amongst themselves about all things lady.
…
continue reading
Discover movies you may have missed and be warned about others you should. Hosts Anderson Cowan (Loveline) and Bryan Bishop (The Adam Carolla Show) hash out their contrasting film tastes in the form of weekly Top 5 lists and recent screening reviews of both new and old titles. With numerous recommendations each episode, The Film Vault is entertainment about entertainment and as a result is a show that keeps on giving.
…
continue reading
Since 2010, the We Hate Movies podcast has been loudly celebrating and tearing apart movies from across the spectrum: from forgotten '80s actioners and insane romantic comedies of the '90s, to the early CGI blockbusters of the aughts and the hyper-nostalgic franchises of the 2010s and today. Every week, comedians Andrew Jupin, Stephen Sajdak, Eric Szyszka, and Chris Cabin pick a movie from the near-past to discuss and joke around about in all its positive and negative glory.
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
…
continue reading
Watch what you want, where you want, when you want on whatever device you please. Take control of your TV, Movies and more. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
America's premier investigative documentary series since 1983. We answer only to you. FRONTLINE presents audio versions of select full-length episodes for listening on the go. Want more full-length FRONTLINE Audiocasts? Please leave a review and let us know what you think.
…
continue reading
A weekly boxing show from Sky Sports that goes "Toe2Toe" with the biggest names in the fight game.
…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
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