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Inhoud geleverd door Steve Hullfish, ACE, Steve Hullfish, and ACE. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Steve Hullfish, ACE, Steve Hullfish, and ACE of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.
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ARGYLLE

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Manage episode 403905468 series 3485936
Inhoud geleverd door Steve Hullfish, ACE, Steve Hullfish, and ACE. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Steve Hullfish, ACE, Steve Hullfish, and ACE of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

Today on Art of the Cut, we’re talking with two of the three editors of Matthew Vaughn’s comedy/action film, Argylle.

Joining us for today’s discussion are Tom Harrison-Read and Oscar-winning editor Lee Smith, ACE.

Lee’s been on Art of the Cut several times including for Dunkirk, 1917, Dark Phoenix, and Spectre. Lee was nominated for a BAFTA for The Piano, for an Oscar and an ACE Eddie for Master and Commander. Nominated for an Oscar, a BAFTA, and an ACE Eddie for The Dark Knight. Nominated for a BAFTA and an ACE Eddie for Inception. And he was nominated for a BAFTA and won an Oscar and an ACE Eddie for Dunkirk.

Tom has edited Tomb Raider, In Darkness, and Children of the Corn. He’s also been an assistant editor or additional editor on lots of major tentpole films, including Wonder Woman 1984, Rogue One: A Star Wars Story, Mission: Impossible - Rogue Nation, Captain Phillips, Scott Pilgrim vs. the World, and Quantum of Solace.

Make sure to check out the transcribed version of this interview with lots of great images and video - heck, you can read it AND listen at the same time - at borisfx.com/blog/aotc.

  continue reading

118 afleveringen

Artwork

ARGYLLE

Art of the Cut

published

iconDelen
 
Manage episode 403905468 series 3485936
Inhoud geleverd door Steve Hullfish, ACE, Steve Hullfish, and ACE. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Steve Hullfish, ACE, Steve Hullfish, and ACE of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

Today on Art of the Cut, we’re talking with two of the three editors of Matthew Vaughn’s comedy/action film, Argylle.

Joining us for today’s discussion are Tom Harrison-Read and Oscar-winning editor Lee Smith, ACE.

Lee’s been on Art of the Cut several times including for Dunkirk, 1917, Dark Phoenix, and Spectre. Lee was nominated for a BAFTA for The Piano, for an Oscar and an ACE Eddie for Master and Commander. Nominated for an Oscar, a BAFTA, and an ACE Eddie for The Dark Knight. Nominated for a BAFTA and an ACE Eddie for Inception. And he was nominated for a BAFTA and won an Oscar and an ACE Eddie for Dunkirk.

Tom has edited Tomb Raider, In Darkness, and Children of the Corn. He’s also been an assistant editor or additional editor on lots of major tentpole films, including Wonder Woman 1984, Rogue One: A Star Wars Story, Mission: Impossible - Rogue Nation, Captain Phillips, Scott Pilgrim vs. the World, and Quantum of Solace.

Make sure to check out the transcribed version of this interview with lots of great images and video - heck, you can read it AND listen at the same time - at borisfx.com/blog/aotc.

  continue reading

118 afleveringen

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