Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Proving the Bubu Myth
MP3•Thuis aflevering
Manage episode 456400868 series 2485502
Inhoud geleverd door Afropop Worldwide. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Afropop Worldwide of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.
Every year on Sierra Leone’s Independence Day in late April, musicians and revelers descend upon Freetown from throughout the country. Parades and celebrations traverse the city, joining diverse neighborhoods with processional music, including one particular local style called bubu, a trance-inducing sound played by groups of young men blowing interlocking hocketed breath patterns into bamboo tubes. Bubu resonates with other African diasporic horn traditions, rara and gaga especially. It has long been a part of the cultural fabric of Sierra Leone, yet its deeper story has so far eluded scholarly examination. This program, supported by original fieldwork and by interviews with scholars Connie Nuxoll, David Skinner, Michael Gallope and John Nunley, begins a serious exposition and investigation of the intriguing mythology and history that surrounds this unique, hypnotic music, through a focus on musician Ahmed Janka Nabay, widely recognized in Sierra Leone and beyond as “the Bubu King.” Written and produced by Wills Glasspiegel and Drew Alt. Georges Collinet is away on assignment: Our guest host is Sahr Ngajuah, the musician and actor who starred in the Broadway show, Fela!. APWW #690
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597 afleveringen
MP3•Thuis aflevering
Manage episode 456400868 series 2485502
Inhoud geleverd door Afropop Worldwide. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Afropop Worldwide of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.
Every year on Sierra Leone’s Independence Day in late April, musicians and revelers descend upon Freetown from throughout the country. Parades and celebrations traverse the city, joining diverse neighborhoods with processional music, including one particular local style called bubu, a trance-inducing sound played by groups of young men blowing interlocking hocketed breath patterns into bamboo tubes. Bubu resonates with other African diasporic horn traditions, rara and gaga especially. It has long been a part of the cultural fabric of Sierra Leone, yet its deeper story has so far eluded scholarly examination. This program, supported by original fieldwork and by interviews with scholars Connie Nuxoll, David Skinner, Michael Gallope and John Nunley, begins a serious exposition and investigation of the intriguing mythology and history that surrounds this unique, hypnotic music, through a focus on musician Ahmed Janka Nabay, widely recognized in Sierra Leone and beyond as “the Bubu King.” Written and produced by Wills Glasspiegel and Drew Alt. Georges Collinet is away on assignment: Our guest host is Sahr Ngajuah, the musician and actor who starred in the Broadway show, Fela!. APWW #690
…
continue reading
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