Artwork

Inhoud geleverd door Busy Being Black and W!ZARD Studios. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Busy Being Black and W!ZARD Studios of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.
Player FM - Podcast-app
Ga offline met de app Player FM !

Marc Thompson – I Have a Virus Older Than You

19:05
 
Delen
 

Manage episode 355065731 series 2241434
Inhoud geleverd door Busy Being Black and W!ZARD Studios. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Busy Being Black and W!ZARD Studios of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

This week, I'm in conversation with author and scholar Dagmawi Woubshet, whose 2015 book, The Calendar of Loss, has transformed how I engage with the work Black gay men created during the AIDS crisis of the 1980s and '90s. In this clip from our 2018 conversation, HIV activist and community organiser Marc Thompson shares insights about the Black gay experience in London in the 1980s.

About Marc Thompson

Marc Thompson is an HIV activist and writer. He established The Love Tank in March 2018 and is one of the original founders of PrEPster. Marc lead Positively UK’s peer mentor programme until June 2018 and he is now Strategic Programme Lead for Health Improvement at the UK’s Terrence Higgins Trust. He has a rich history of community organising and engagement, co-founding Big Up in the late 1990s to respond to the sexual health needs of Black queer men.

Help me shape the future of Busy Being Black by filling out this short listener survey: https://forms.gle/y7y3iQ7RPievyGFP8

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

136 afleveringen

Artwork
iconDelen
 
Manage episode 355065731 series 2241434
Inhoud geleverd door Busy Being Black and W!ZARD Studios. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Busy Being Black and W!ZARD Studios of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

This week, I'm in conversation with author and scholar Dagmawi Woubshet, whose 2015 book, The Calendar of Loss, has transformed how I engage with the work Black gay men created during the AIDS crisis of the 1980s and '90s. In this clip from our 2018 conversation, HIV activist and community organiser Marc Thompson shares insights about the Black gay experience in London in the 1980s.

About Marc Thompson

Marc Thompson is an HIV activist and writer. He established The Love Tank in March 2018 and is one of the original founders of PrEPster. Marc lead Positively UK’s peer mentor programme until June 2018 and he is now Strategic Programme Lead for Health Improvement at the UK’s Terrence Higgins Trust. He has a rich history of community organising and engagement, co-founding Big Up in the late 1990s to respond to the sexual health needs of Black queer men.

Help me shape the future of Busy Being Black by filling out this short listener survey: https://forms.gle/y7y3iQ7RPievyGFP8

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

136 afleveringen

Alle afleveringen

×
 
You’ll no doubt have heard of and read Kuchenga Shenjé's debut novel, The Library Thief , which brings together her passions for history, mystery and rebels; and you’re likely to have felt the warmth and humour of her writing in publications like British Vogue and Stylist. In our conversation, we explore how she came to the transformative decision to pursue sobriety, her hodgepodge approach to her spirituality and spiritual practice, how the deferred dreams of her mother and grandmother have shaped how she enjoys her life and what she’s learned from the characters in her novel and daring women across history about what it means to live a life worth writing about. You can find out more about Kuchenga here . Thank you to myGwork for their ongoing support of Busy Being Black. If you're not yet a member of the world's largest global talent and networking platform for LGBTQ+ professionals, now is a great time to join . Learn more about your ad choices. Visit megaphone.fm/adchoices…
 
I’ve been invigorated by Legacy Russell ’s ongoing inquiries into how we come alive together. Whether she’s encouraging us to think expansively about the connection between marine life and Black agency under duress, or pointing us towards the liberatory possibilities at the intersection of our bodies, genders and technologies, her work is evidence of her desire and drive to live in a world in which Black folks thrive. We explore how an investigation into visual culture helps us appreciate and reckon with the role Black people have played in shaping the modern world, our responsibility as global and digital citizens to harness the internet to collectively push forward what our shared future looks like, and what we learn from what it means to really live—or to not live—from the ancestors who refused to survive the Middle Passage. Legacy's first book, Glitch Feminism , explores how we find liberation in the glitch between body, gender and technology; her second book, Black Meme , shows us how images of Blackness have always been central to our understanding of the modern world. Both are available from Verso Books . Thank you to myGwork for their ongoing support of Busy Being Black. If you're not yet a member of the world's largest global talent and networking platform for LGBTQ+ professionals, now is a great time to join . Learn more about your ad choices. Visit megaphone.fm/adchoices…
 
How do we engage with and sustain Black cultures, communities, histories and futures outside of the extractive infrastructures and institutions that thrive on Black death and disposability? Maleke Glee is a curator and scholar of cultural sustainability who offers go-go music as a wonderful working example: a genre and sonic landscape native to Washington DC, with an insular economy that supports self-taught and formerly incarcerated musicians. Our conversation today also explores the spiritual work that undergirds Maleke’s ongoing research into and preservation of go-go music, how initiatives for Black inclusion within art world institutions often stifle ongoing efforts to sustain Black vernacular cultures, and how a closer relationship to ugliness helps us queer what it means to embody and pursue Black excellence. If you’d like to dive deeper into the cultural, vernacular and academic references named throughout this conversation, please subscribe to Field Notes , a newsletter that collects the wonderlust that inspires and informs conversations on Busy Being Black. Thank you to myGwork for their ongoing support of Busy Being Black. If you're not yet a member of the world's largest global talent and networking platform for LGBTQ+ professionals, now is a great time to join . Learn more about your ad choices. Visit megaphone.fm/adchoices…
 
Angelina Namiba serves as a possibility model for effective and sustained engagement with those vulnerable to HIV. When she was diagnosed in the early 90s, she immediately set to work to understand why Black women were being left out of national efforts to combat the spread of the virus, and she participated in and assembled groups of women committed to raising the voices of women living with HIV globally. She is a titan within England’s HIV advocacy movement and she has worked for almost 25 years to promote and advocate for the involvement of women living with HIV in forming and informing local and national HIV strategy and policy. Today, we explore the resilience required to sustain our advocacy when our lives are systemically undervalued and the ongoing need for cultural competency within the NHS, which despite being built on the backs of Black women, still leaves so many Black women to suffer in silence. Angelina shares the mnemonic device she created to help women remember their rights when engaging with healthcare practitioners, and the role literature, storytelling and book clubs have played in bringing her and others like her together to effect systemic change. Angelina reminds that in the face of anti-Blackness, homophobia and misogynoir, it has always been us looking after us. Recommended reading: Our Stories Told by Us by Angelina Namiba Queer Footprints by Dan Glass Thank you to myGwork for their ongoing support of Busy Being Black. If you're not yet a member of the world's largest global talent and networking platform for LGBTQ+ professionals, now is a great time to join . Learn more about your ad choices. Visit megaphone.fm/adchoices…
 
Dennis Carney is an elder whose respect among our community needs no justification nor explanation. Among much else, he led the now-closed Black Gay and Lesbian Centre in Brixton, and he has worked for 25 years as a therapeutic practitioner, supporting Black gay men to love themselves more deeply, hold their emotions more gently and show up in the world more fully. We explore his involvement in the Stop Murder Music campaign, the internationalism of Brixton’s Black Gay and Lesbian Centre and the creation of “Let’s Wrap”, the UK’s first-ever discussion group for Black gay men, which was hosted at London Lighthouse, the leading hospice and charity for people living with HIV. We attend to the history of the long 1980’s, and Dennis shares his advice and insights on what we should pay closer attention to about that fraught, traumatic and generative period of our collective history. Dennis shares how his disillusionment with the efficacy of protests and marches helped recalibrate his energy and efforts towards self-empowerment within our communities, and we broach the ever-important topic of intergenerational conversations, including what we learn from each other in our efforts to get free. Dennis reminds us that love for oneself and community, especially within a world so primed for lovelessness, has a singularly motivating power that supports us in being the change we hope to see in the world. Thank you to myGwork for their ongoing support of Busy Being Black. If you're not yet a member of the world's largest global talent and networking platform for LGBTQ+ professionals, now is a great time to join . Learn more about your ad choices. Visit megaphone.fm/adchoices…
 
We are living through a particularly tense geopolitical moment and I have found myself in a near-constant state of anger over the past couple of weeks. I have had to work very hard to ensure the language and energy I put out into the world is not only angry, but productive. To help me – and us – show up with compassion and clarity in this moment, I’m resurfacing my 2019 conversation with communications provocateur Jean Lloyd . Jean has spent her life deeply committed to the emancipation of the human spirit and she invites us to focus on and remember that language is a tool used to create, not destroy. We explore the difference between talking and communication; forgiveness and making peace with unanswered questions and missing apologies; the urgent, important and life-long work of being ourselves; and communication as the essential tool for love and our liberation. Learn more about your ad choices. Visit megaphone.fm/adchoices…
 
I’m thrilled to share this conversation with British Nigerian writer and curator Irenosen Okojie , which was recorded at the Garden Cinema in London after a private viewing of Blitz Bazawule’s new musical adaption of The Color Purple . Our conversation was one of many events that took place as part of Irenosen’s Black to the Future festival, an afrofuturist celebration of outstanding Black artists and a growing space for visionary imaginings to thrive. We explore why The Color Purple aligns with Irenosen’s notions of afrofuturism; the lessons we can learn from characters within the novel and the musical about Black hope, family and love; and the ways Black queer people across space and time continue to live, by example, the futures we deserve to inhabit together. Thank you to our friends at Warner Bros, The Royal Society of Literature and The Garden Cinema for making this conversation with Irenosen possible. Learn more about your ad choices. Visit megaphone.fm/adchoices…
 
B
Busy Being Black
Busy Being Black podcast artwork
 
The urgent problems of our time require collective engagement with the generative offerings of our imaginations. Whether our work calls us to challenge the extractive practices ruining our planet, educate a new generation of thinkers and creators, or to put out into the burning world poetry that awakens and enlivens, each of us carries – and feels the weight of – a responsibility to help fashion a better future. My guests today offer us ways to tackle the demands of liberation through active engagement with the Black radical imagination and tradition. I’m in conversation with Melz Owusu , Marai Larasi and Yomi Sode . Melz is the Founder of the Free Black University and a PhD researcher at the University of Cambridge. Marai is a feminist advocate, community organiser and consultant who has worked in social justice for over twenty-seven years. And Yomi is an award-winning writer and the recipient of the 2019 Jerwood Compton Poetry Fellowship. This conversation was recorded at Rehearsing Freedoms , a festival of community health, healing, movement building, arts and culture created and curated by Healing Justice London . And together we explore how the Black radical imagination helps shift us out of oppressive landscapes and times, and towards just and dignifying worlds that affirm Black aliveness. Learn more about your ad choices. Visit megaphone.fm/adchoices…
 
Julian Joseph is acclaimed as one of the finest jazz musicians to emerge this side of the Atlantic and his career has been characterised by many ground-breaking advances: he was the first Black British jazz musician to host a series of concerts at London’s Wigmore Hall and the first to headline a late-night televised performance at the BBC Proms. We explore how jazz and life are both animated by the art of improvisation, the methodology that undergirds the educative offering of the Julian Joseph Jazz Academy , the instruments and symphonies that enchant him, the artists and composers he recommends to inspire us to adventure, and his message to those who feel like they have music within them, but aren’t quite sure how to get it out. Julian plays Gershwin with London Philharmonic Orchestra on 22 November – and subscribers to Field Notes have an exclusive discount on tickets. About Busy Being Black Busy Being Black with Josh Rivers is the award-winning podcast that centres and celebrates queer Black liveliness. Help these enlivening conversations reach more people, by leaving a rating and review. Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Learn more about your ad choices. Visit megaphone.fm/adchoices…
 
Questioning and then breaching our limits is a salient and consequential concern — and a quest Elijah McKinnon undertakes as founder and executive diva of Open Television (OTV), a platform and media incubator for intersectional storytelling. Elijah’s insights into how their imagination is supported and encouraged by their pragmatism made me think and reflect on how I engage with my own; and we wax lyrical on a shared desire to become undone. We explore the difference between surrender and intentional release, the differing demands of and confusion between transparency and vulnerability, and refusing to be bound by other people’s ideas and labels. Elijah reflects on their stewardship of OTV, the care required to sustain artistic vitality, and how an entitlement to softness has transformed their sense of duty to themselves and the communities they love. About Elijah McKinnon Elijah McKinnon (they/them) is an award-winning entrepreneur, strategist and visionary from the future currently residing on planet earth. They are the founder of Chicago-based consultancy and creative studio People Who Care, which specialises in campaign development and management, brand strategy and identity and cultural productions exclusively for non-profits and grassroots initiatives. Elijah is the Co-founder and Executive Director of Open Television, an Emmy-nominated non-profit and web TV platform for intersectional artistry. About Busy Being Black Busy Being Black with Josh Rivers is the award-winning podcast that centres and celebrates queer Black liveliness. Help these enlivening conversations reach more people, by leaving a rating and review. Sign up for Field Notes – Busy Being Black's newsletter offering to encourage your wonderlust. Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Learn more about your ad choices. Visit megaphone.fm/adchoices…
 
Help me shape the future of Busy Being Black by filling out this short listener survey: https://forms.gle/y7y3iQ7RPievyGFP8 Kokomo City takes up a seemingly simple mantle — to present the stories of four Black transgender sex workers: Daniella Carter, Liyah Mitchell, Dominique Silver and the late Koko Da Doll , who share their reflections on desire, confronting taboos, gender’s many meanings and the ways Black trans women are harmed by both structural and cultural impositions that render their lives less valuable than any other. The film is the directorial debut of D Smith , a veteran of the music industry who was shunned when she came out as trans. In creating Kokomo City, D Smith has captured an unapologetic and cutting analysis of Black culture and society at large from a vantage point that is vibrating with energy, sex and hard-earned wisdom – and tenderness, intimacy and humour. We explore how the artistic process that made Kokomo City possible reflects what D’s learned through her own survival, thriving and liveliness; the role of forgiveness in clearing room for creative expression; and creating art about Black LGBTQ lives that intentionally extends beyond the confining limits of mainstream LGBTQ media narratives. D says she was inspired to create a work of art that not only calls us to imagine and produce more and better options for Black trans women in the world, but also one that cis Black women, her brothers, uncles and father would encounter and which might provoke necessary and life-sustaining conversations about the world we want to inhabit together. About D Smith and Kokomo City D. Smith is a Grammy-nominated producer, singer and songwriter. She is the director of Kokomo City, which was executive produced by Lena Waithe, and the film won the Sundance Film Festival’s NEXT Innovator Award and NEXT Audience Award, as well as the Berlinale’s Audience Award in the Panorama Documentary section. Kokomo City is released in the UK and Irish cinemas on 4 August, 2023. A special thank you to Campbell X for always advocating for Busy Being Black and thus making this conversation possible. About Busy Being Black Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land. Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping create the Busy Being Black artwork. Learn more about your ad choices. Visit megaphone.fm/adchoices…
 
At just 23 years old, Leon Benson was sentenced to 61 years in prison for a murder he did not commit. At 47 years old, Leon is a free man after his case was taken up by lawyers at the University of San Francisco Law School’s Racial Justice Clinic. Over 25 years, Leon consumed as much knowledge as he could get access to, which helped him explain the complex dynamics of not only his physical form in relation to confined space, but also of how his mind made sense of the injustice of his experience and the experiences of those like him. We explore the parallel experiences of those confined within and beyond the walls of prison, the awakenings and reckonings that helped him build emotional and psychic resilience and the near impossible task of embodiment in a place that traffics in sensory deprivation. We discuss the moments and people in 2020 that would be instrumental in his release and how people born guilty in America maintain faith in the idea of justice, which he believes is a natural human impulse and, like hope, is also a spiritual practice. About Leon Benson Leon's case was championed by The Racial Justice Clinic at the University of San Francisco’s School of Law and led by all-star attorney and author Lara Bazelon. The particulars of his case are the focus of season three of investigative podcast series Suspect . Leon performs as EL BENTLY 448 and shares his survivor's journey on Innocent Born Guilty, an explosive hip hip record full of poetry, philosophy and world history, inspired by Black-led social justice movements. Innocent Born Guilty is available now from Die Jim Crow Records . Throughout his incarceration, Leon was supported by family, friends and strangers on the internet, like Shannon Coleman and Steve Willet. For those interested in supporting charities in the UK addressing miscarriages of justice and prison reform, please consider supporting the work of Appeal and the Prison Reform Trust . About Busy Being Black Help me shape the future of Busy Being Black by filling out this short listener survey: https://forms.gle/y7y3iQ7RPievyGFP8 Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land. Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping create the Busy Being Black artwork Learn more about your ad choices. Visit megaphone.fm/adchoices…
 
Writer and organiser Kenyon Farrow is fighting for better infrastructures of support for queer Black people vulnerable to and living with HIV. He trained as an actor before he pivoting to activism in response to the fault lines he saw emerging as gentrification, criminalisation and healthcare inequalities began to rock his personal and extended networks. He has since coordinated campaigns large and small, local, national and global at the intersection of public policy, public health and social justice. Today, we explore his upbringing in Cleveland, Ohio – including watershed encounters with gay Black film and literature – and the events that led to a hard pivot from acting to activism. He shares how his work at the policy level is work that centres queer Black liveliness, and speaks lovingly about house music and house music spaces as evidence of the ways queer Black communities create for themselves that which is often structurally denied: spaces of love, care, spiritual renewal and healing. About Kenyon Farrow Kenyon Farrow is a writer, editor and strategist working at the intersection of public health and social justice. Kenyon has a long and distinguished track record working in communities impacted by HIV. BET named Kenyon a "Modern Black History Hero". About Busy Being Black Help me shape the future of Busy Being Black by filling out this short listener survey: https://forms.gle/y7y3iQ7RPievyGFP8 Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land. Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping create the Busy Being Black artwork. Learn more about your ad choices. Visit megaphone.fm/adchoices…
 
Earlier this year, writer, actor and director Rikki Beadle-Blair gave an electrifying and affirming keynote speech at Let’s Debate , a conversation about creativity and culture in the UK, produced by arts commissioner Mediale with the support of Arts Council England . As Rikki does, his speech centred his insistence that marginalised communities create art unashamedly; and at a time of increased cultural and political disregard for queer life around the world, Rikki reminds us all that art-making is life-giving. So it feels like the right time to resurface our 2018 conversation, in which he asks us to pay closer attention to the beauty that abounds around us and within us, and to our role as creators of the worlds we want to inhabit. Watch: Let's Debate Keynote for Inclusivity and Relevance About Rikki Beadle-Blair Rikki Beadle-Blair MBE is a British actor, director, screenwriter, playwright, singer, designer, choreographer, dancer and songwriter of British/West Indian origin. He is the artistic director of multi-media production company Team Angelica . About Busy Being Black Help me shape the future of Busy Being Black by filling out this short listener survey: https://forms.gle/y7y3iQ7RPievyGFP8 Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land. Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping create the Busy Being Black artwork. Learn more about your ad choices. Visit megaphone.fm/adchoices…
 
Farzana Khan is the tender titan leading the transformative work of Healing Justice London , which works to dignify lives made vulnerable and to cultivate public health provisions for collective liberation. She's a writer, cultural producer and award-winning arts educator, and her work centres community health, repair and self-transformation, rooted in disability justice, survivor work and trauma-informed practice. We share a love for the poetic wisdom of Kevin Quashie and language and practices that engender tenderness. And our conversation today explores how Farzana and the team at Healing Justice London are thinking through and building new infrastructures that respond to the ongoing needs of vulnerable communities. Undergirding this work is Farzana’s commitment to holding and facilitating spaces that invite change through a deeper engagement with the world of feeling and wisdom in our bodies. We discuss the importance of attending to our grief, mobilising with an improved class consciousness and the long work of un-internalising hundreds of years of colonial thinking. Farzana calls on us to refuse the individualising thrust of the colonial regime, so we can then free ourselves for the transformative work of extending ourselves to each other’s aliveness. References in this conversation include: " Unworlding: an aesthetics of collapse ", " the endless possibilities of open-source design " and Rehearsing Freedoms . About Healing Justice London Healing Justice London builds community-led health and healing that creates capacity for transformation. Working for and with communities surviving state and systemic oppression, Healing Justice London build towards futures rooted in dignity, safety and belonging and free from intimate, interpersonal and structural violence. Their practice nurtures the work of radical and holistic medicine to support our personal, collective and structural transformation. About Busy Being Black Help me shape the future of Busy Being Black by filling out this short listener survey: https://forms.gle/y7y3iQ7RPievyGFP8 Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land. Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping create the Busy Being Black artwork. Learn more about your ad choices. Visit megaphone.fm/adchoices…
 
Loading …

Welkom op Player FM!

Player FM scant het web op podcasts van hoge kwaliteit waarvan u nu kunt genieten. Het is de beste podcast-app en werkt op Android, iPhone en internet. Aanmelden om abonnementen op verschillende apparaten te synchroniseren.

 

Korte handleiding

Luister naar deze show terwijl je op verkenning gaat
Spelen