185 | Why Tone and Genre ≠ Plot (ft. Cole Haddon)

The Screenwriting Life with Meg LeFauve and Lorien McKenna

Inhoud geleverd door Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Alle podcastinhoud, inclusief afleveringen, afbeeldingen en podcastbeschrijvingen, wordt rechtstreeks geüpload en geleverd door Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna of hun podcastplatformpartner. Als u denkt dat iemand uw auteursrechtelijk beschermde werk zonder uw toestemming gebruikt, kunt u het hier beschreven proces https://nl.player.fm/legal volgen.

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Cole Haddon is many things: a feature writer, a showrunner, a novelist, but he's grown an incredibly loyal community for his STORY brain, which mostly congregates on his very popular substack.

Today we discuss tone, genre, and plot through a case study in which we compare two very popular TV shows: The Bear and Ted Lasso. In this discussion, we'll trace how, despite them sharing a lot narratively (plot), they exist in totally unique WORLDS when it comes to tone and genre (and why this matters.)

For a deep dive into Cole's brilliant story brain, check out his substack: https://substack.com/@colehaddon

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