SHEHAN KARUNATILAKA - Booker Prize-winning Author of The Seven Moons of Maali Almeida

LGBTQ+ Stories: The Creative Process: Gender, Equality, Gay, Lesbian, Queer, Bisexual, Homosexual, Trans Creatives Talk LGBTQ Rights

What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning?

Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore.

"I think when the novel went through many revisions and reiterations, a lot of Richard de Zoysa's biography got shared, and Maali Almeida emerged as a character. But that one detail stayed, the fact that he was a closeted gay man. Again, you write by instinct, and also I had to explain why was this privileged Colombo kid, going to these very dangerous places and hanging out with very dodgy characters. So one reason was perhaps ego. He found something he was very good at, and he thought he was bearing witness and doing this great service.

I think another reason - and also this idealism that he thought his photographs could change the world - but also I think as a closeted gay man, he could express himself sexually in the war zone. Normal rules didn't apply. And also I think this informed his world. He just believed in being a hedonist and enjoying his sexuality. And the only way he could do that was to go to these dangerous places where no one he knew would be watching.

I don't know if I could revise it now and make him heterosexual and have the story work quite as well. So that was the reason. Since then I've been questioned because now that debate is alive and well: the cultural appropriation debate. Are we allowed to write novels from the perspective of characters of different sexualities, genders, and ethnicities?

I think we are. I think that's the whole point of being a novelist or being a storyteller is that you are allowed to inhabit other consciousnesses and see the world through other points of view. Of course, you have to do it well. You have to do it with respect. You have to do the empathy. And you have to do it responsibly. I don't think we should be placing boundaries because otherwise, I have to write from a Sinhalese Buddhist, Sri Lankan, middle-aged dude...which is quite boring.

I'd like to explore different characters if I'm allowed to write more. So that was really the thinking. It wasn't a political decision. It just felt right for the character, and in the end, it was true to who the character was. And in the end, I think with the plot as well, it gives the novel another dimension."

www.shehanwriter.com
https://wwnorton.com/books/9781324064824

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Photo credit: David Parry/Booker Prize Foundation